{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/87659"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/87659","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Metaparody in Selected Literary Works","abstract":"\"In Lolita, Nabokov's Humbert seems to be a metaparody of the underground man. Both narrators compose confessions which alternate between candor and obfuscation, between pronouncements of their guilt and self-justifying declarations of innocence. The most significant \"\"revision\"\" of Notes from the Underground in Lolita is Humbert's relative success as an artist. 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