{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/87652"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/87652","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"The Dreamworld of Gajto Gazdanov in the Context of European Modernism","abstract":"The motive of the vagabond in Gazdanov's prose, originated in vagrancy of exile, assumes deeper meaning as wandering through life to its final destination. For Gazdanov, presentiment of death penetrates every aspect of human existence. The theme of death, ethical judgement of good and evil, and the philosophy of Beauty and deformity are developed in Gazdanov's universe through a fairly complete philosophical system. The writer's worldview, which takes ultimate shape in his late novels and short stories, resembles, to a great extent, the philosophical ideas of French existentialists, Albert Camus and Jean-Paul Sartre.","abstract_html":"The motive of the vagabond in Gazdanov&#x27;s prose, originated in vagrancy of exile, assumes deeper meaning as wandering through life to its final destination. For Gazdanov, presentiment of death penetrates every aspect of human existence. The theme of death, ethical judgement of good and evil, and the philosophy of Beauty and deformity are developed in Gazdanov&#x27;s universe through a fairly complete philosophical system. The writer&#x27;s worldview, which takes ultimate shape in his late novels and short stories, resembles, to a great extent, the philosophical ideas of French existentialists, Albert Camus and Jean-Paul Sartre.","abstract_has_math":false,"creators":["Dolinnaya, Juliya A."],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"Slavic Languages and Literature","degree_department":null,"school":null,"contributors":["Richard Tempest"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2015,"date_issued":"2015-09-28T16:22:13Z","date_published":"2015-09-28T16:22:13Z","updated_at":"2026-07-22T22:26:30Z","subjects":["Literature, Modern"],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["(MiAaPQ)AAI3069987"],"render_values":[{"text":"(MiAaPQ)AAI3069987","href":null,"code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/2142/87652","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Richard Tempest"]},{"key":"dc:creator","label":"Author","values":["Dolinnaya, Juliya A."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2015-09-28T16:22:13Z","10000-01-01","2002"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Slavic Languages and Literature"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Literature, Modern"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/87652","(MiAaPQ)AAI3069987"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["The motive of the vagabond in Gazdanov's prose, originated in vagrancy of exile, assumes deeper meaning as wandering through life to its final destination. For Gazdanov, presentiment of death penetrates every aspect of human existence. The theme of death, ethical judgement of good and evil, and the philosophy of Beauty and deformity are developed in Gazdanov's universe through a fairly complete philosophical system. The writer's worldview, which takes ultimate shape in his late novels and short stories, resembles, to a great extent, the philosophical ideas of French existentialists, Albert Camus and Jean-Paul Sartre.","Made available in DSpace on 2015-09-28T16:22:13Z (GMT). No. of bitstreams: 2 license.txt: 4848 bytes, checksum: 96035ab3f5e1c23cc7138a224ce498bd (MD5) 3069987.pdf: 12481893 bytes, checksum: b2bc2d03565c52fffd6143b5d6226259 (MD5) Previous issue date: 2002","Embargo set by: Seth Robbins for item 88933 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","U of I Only","269 p.","Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2002."]},{"key":"dc:title","label":"Title","values":["The Dreamworld of Gajto Gazdanov in the Context of European Modernism"]}]}],"canonical_facts":{"dc:contributor":["Richard Tempest"],"dc:creator":["Dolinnaya, Juliya A."],"dc:date":["2015-09-28T16:22:13Z","10000-01-01","2002"],"dc:description":["The motive of the vagabond in Gazdanov's prose, originated in vagrancy of exile, assumes deeper meaning as wandering through life to its final destination. For Gazdanov, presentiment of death penetrates every aspect of human existence. The theme of death, ethical judgement of good and evil, and the philosophy of Beauty and deformity are developed in Gazdanov's universe through a fairly complete philosophical system. The writer's worldview, which takes ultimate shape in his late novels and short stories, resembles, to a great extent, the philosophical ideas of French existentialists, Albert Camus and Jean-Paul Sartre.","Made available in DSpace on 2015-09-28T16:22:13Z (GMT). No. of bitstreams: 2 license.txt: 4848 bytes, checksum: 96035ab3f5e1c23cc7138a224ce498bd (MD5) 3069987.pdf: 12481893 bytes, checksum: b2bc2d03565c52fffd6143b5d6226259 (MD5) Previous issue date: 2002","Embargo set by: Seth Robbins for item 88933 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","U of I Only","269 p.","Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2002."],"dc:identifier":["http://hdl.handle.net/2142/87652","(MiAaPQ)AAI3069987"],"dc:language":["eng"],"dc:subject":["Literature, Modern"],"dc:title":["The Dreamworld of Gajto Gazdanov in the Context of European Modernism"],"dc:type":["text"],"thesis:degree_discipline":["Slavic Languages and Literature"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["Ph.D."],"thesis:institution_name":["University of Illinois at Urbana-Champaign"]},"updated_at":"2026-07-22T22:26:30Z"}