{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/87648"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/87648","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"\"Numerological Code in Dostoevsky's \"\"Crime and Punishment\"","abstract":"First two chapters provide a firm historical basis for the study of numerological codes. Chapter Three shows the various symbolic meanings of the apocalyptic number 7, which serves as evidence of Dostoevsky's deliberate use of numerological codes throughout his works. The chapters that follow are devoted to an analysis of Crime and Punishment, in which certain numbers are repeated throughout the text. These repetitions are not random, they are carefully planned numerological devices used symbolically by Dostoevsky to underline his major themes. This study reveals the number 4 as a symbol, which relates the Raskolnikov story to that of Lazarus. An analysis of the many meaningful numbers in Sonya story shows the clear parallel between her story and that of Christ, especially, His Passion. The role of the number 9 is crucial in bringing together in the Epilogue the various symbolic sequences scattered throughout the text of the novel, especially those that stand for spiritual gestation and rebirth.","abstract_html":"First two chapters provide a firm historical basis for the study of numerological codes. Chapter Three shows the various symbolic meanings of the apocalyptic number 7, which serves as evidence of Dostoevsky's deliberate use of numerological codes throughout his works. The chapters that follow are devoted to an analysis of Crime and Punishment, in which certain numbers are repeated throughout the text. These repetitions are not random, they are carefully planned numerological devices used symbolically by Dostoevsky to underline his major themes. This study reveals the number 4 as a symbol, which relates the Raskolnikov story to that of Lazarus. An analysis of the many meaningful numbers in Sonya story shows the clear parallel between her story and that of Christ, especially, His Passion. The role of the number 9 is crucial in bringing together in the Epilogue the various symbolic sequences scattered throughout the text of the novel, especially those that stand for spiritual gestation and rebirth.","abstract_has_math":false,"creators":["Kim, Jung Ah"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"Slavic Languages and Literature","degree_department":null,"school":null,"contributors":["Richard Tempest"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2015,"date_issued":"2015-09-28T16:22:11Z","date_published":"2015-09-28T16:22:11Z","updated_at":"2026-07-22T22:26:30Z","subjects":["Literature, Slavic and East European"],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["(MiAaPQ)AAI3023094"],"render_values":[{"text":"(MiAaPQ)AAI3023094","href":null,"code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/2142/87648","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Richard Tempest"]},{"key":"dc:creator","label":"Author","values":["Kim, Jung Ah"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2015-09-28T16:22:11Z","10000-01-01","2001"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Slavic Languages and Literature"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Literature, Slavic and East European"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/87648","(MiAaPQ)AAI3023094"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["First two chapters provide a firm historical basis for the study of numerological codes. Chapter Three shows the various symbolic meanings of the apocalyptic number 7, which serves as evidence of Dostoevsky's deliberate use of numerological codes throughout his works. The chapters that follow are devoted to an analysis of Crime and Punishment, in which certain numbers are repeated throughout the text. These repetitions are not random, they are carefully planned numerological devices used symbolically by Dostoevsky to underline his major themes. This study reveals the number 4 as a symbol, which relates the Raskolnikov story to that of Lazarus. An analysis of the many meaningful numbers in Sonya story shows the clear parallel between her story and that of Christ, especially, His Passion. The role of the number 9 is crucial in bringing together in the Epilogue the various symbolic sequences scattered throughout the text of the novel, especially those that stand for spiritual gestation and rebirth.","Made available in DSpace on 2015-09-28T16:22:11Z (GMT). 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Chapter Three shows the various symbolic meanings of the apocalyptic number 7, which serves as evidence of Dostoevsky's deliberate use of numerological codes throughout his works. The chapters that follow are devoted to an analysis of Crime and Punishment, in which certain numbers are repeated throughout the text. These repetitions are not random, they are carefully planned numerological devices used symbolically by Dostoevsky to underline his major themes. This study reveals the number 4 as a symbol, which relates the Raskolnikov story to that of Lazarus. An analysis of the many meaningful numbers in Sonya story shows the clear parallel between her story and that of Christ, especially, His Passion. The role of the number 9 is crucial in bringing together in the Epilogue the various symbolic sequences scattered throughout the text of the novel, especially those that stand for spiritual gestation and rebirth.","Made available in DSpace on 2015-09-28T16:22:11Z (GMT). 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