{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/87381"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/87381","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"A Spaniard in New York: Salvador Dali and the Ruins of Modernity 1940-1948","abstract":"Based mostly on close analyses and observations of a selection of paintings and collages as case studies, the study combines that approach with careful attention to archival materials, unpublished correspondence, period criticism, and the artist's own writings. The intention of this dissertation is to situate the work of one of the most influential and complex artists of the twentieth century within an analytical framework shaped in part by recent theorists and art historians while constructing an original and innovative reading of the images and their function in their original context.","abstract_html":"Based mostly on close analyses and observations of a selection of paintings and collages as case studies, the study combines that approach with careful attention to archival materials, unpublished correspondence, period criticism, and the artist's own writings. The intention of this dissertation is to situate the work of one of the most influential and complex artists of the twentieth century within an analytical framework shaped in part by recent theorists and art historians while constructing an original and innovative reading of the images and their function in their original context.","abstract_has_math":false,"creators":["Carbonell-Coll, Gisela M."],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"Art History","degree_department":null,"school":null,"contributors":["Jordana Mendelson"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2015,"date_issued":"2015-09-28T15:53:05Z","date_published":"2015-09-28T15:53:05Z","updated_at":"2026-07-22T22:26:30Z","subjects":["Fine Arts"],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["(MiAaPQ)AAI3362743"],"render_values":[{"text":"(MiAaPQ)AAI3362743","href":null,"code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/2142/87381","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Jordana Mendelson"]},{"key":"dc:creator","label":"Author","values":["Carbonell-Coll, Gisela M."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2015-09-28T15:53:05Z","10000-01-01","2009"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Art History"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Fine Arts"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/87381","(MiAaPQ)AAI3362743"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Based mostly on close analyses and observations of a selection of paintings and collages as case studies, the study combines that approach with careful attention to archival materials, unpublished correspondence, period criticism, and the artist's own writings. The intention of this dissertation is to situate the work of one of the most influential and complex artists of the twentieth century within an analytical framework shaped in part by recent theorists and art historians while constructing an original and innovative reading of the images and their function in their original context.","Made available in DSpace on 2015-09-28T15:53:05Z (GMT). No. of bitstreams: 2 license.txt: 4848 bytes, checksum: 96035ab3f5e1c23cc7138a224ce498bd (MD5) 3362743.pdf: 9951298 bytes, checksum: 6fd11b28fdac855e650fffd908c7b8cb (MD5) Previous issue date: 2009","Embargo set by: Seth Robbins for item 88662 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","U of I Only","241 p.","Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2009."]},{"key":"dc:title","label":"Title","values":["A Spaniard in New York: Salvador Dali and the Ruins of Modernity 1940-1948"]}]}],"canonical_facts":{"dc:contributor":["Jordana Mendelson"],"dc:creator":["Carbonell-Coll, Gisela M."],"dc:date":["2015-09-28T15:53:05Z","10000-01-01","2009"],"dc:description":["Based mostly on close analyses and observations of a selection of paintings and collages as case studies, the study combines that approach with careful attention to archival materials, unpublished correspondence, period criticism, and the artist's own writings. The intention of this dissertation is to situate the work of one of the most influential and complex artists of the twentieth century within an analytical framework shaped in part by recent theorists and art historians while constructing an original and innovative reading of the images and their function in their original context.","Made available in DSpace on 2015-09-28T15:53:05Z (GMT). No. of bitstreams: 2 license.txt: 4848 bytes, checksum: 96035ab3f5e1c23cc7138a224ce498bd (MD5) 3362743.pdf: 9951298 bytes, checksum: 6fd11b28fdac855e650fffd908c7b8cb (MD5) Previous issue date: 2009","Embargo set by: Seth Robbins for item 88662 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","U of I Only","241 p.","Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2009."],"dc:identifier":["http://hdl.handle.net/2142/87381","(MiAaPQ)AAI3362743"],"dc:language":["eng"],"dc:subject":["Fine Arts"],"dc:title":["A Spaniard in New York: Salvador Dali and the Ruins of Modernity 1940-1948"],"dc:type":["text"],"thesis:degree_discipline":["Art History"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["Ph.D."],"thesis:institution_name":["University of Illinois at Urbana-Champaign"]},"updated_at":"2026-07-22T22:26:30Z"}