{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/87376"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/87376","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Visual Constructions of Corporate Identity for the University of Paris, 1200--1500","abstract":"Visual images representing the medieval University of Paris and its sub-groups (i.e., colleges, faculties, and 'nations') survive in a range of media, including painted miniatures, seals, and sculpture. The majority of these works have not been previously studied from an art historical perspective and are commonly interpreted as mere scenes of everyday university life when, in fact, they are highly constructed images that reflect varying notions of group identity for the institution. This dissertation treats the surviving material as a single corpus in order to examine broadly the modes of visual display and particularized iconography used to represent the University and its members, and more specifically how visual iconography helped shape the University's flexible corporate identity.","abstract_html":"Visual images representing the medieval University of Paris and its sub-groups (i.e., colleges, faculties, and 'nations') survive in a range of media, including painted miniatures, seals, and sculpture. The majority of these works have not been previously studied from an art historical perspective and are commonly interpreted as mere scenes of everyday university life when, in fact, they are highly constructed images that reflect varying notions of group identity for the institution. This dissertation treats the surviving material as a single corpus in order to examine broadly the modes of visual display and particularized iconography used to represent the University and its members, and more specifically how visual iconography helped shape the University's flexible corporate identity.","abstract_has_math":false,"creators":["Bauer, Charlotte D."],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"Art History","degree_department":null,"school":null,"contributors":["Hedeman, Anne D."],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2015,"date_issued":"2015-09-28T15:53:02Z","date_published":"2015-09-28T15:53:02Z","updated_at":"2026-07-22T22:26:30Z","subjects":["History, European"],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["(MiAaPQ)AAI3269838"],"render_values":[{"text":"(MiAaPQ)AAI3269838","href":null,"code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/2142/87376","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Hedeman, Anne D."]},{"key":"dc:creator","label":"Author","values":["Bauer, Charlotte D."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2015-09-28T15:53:02Z","10000-01-01","2007"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Art History"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["History, European"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/87376","(MiAaPQ)AAI3269838"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Visual images representing the medieval University of Paris and its sub-groups (i.e., colleges, faculties, and 'nations') survive in a range of media, including painted miniatures, seals, and sculpture. The majority of these works have not been previously studied from an art historical perspective and are commonly interpreted as mere scenes of everyday university life when, in fact, they are highly constructed images that reflect varying notions of group identity for the institution. This dissertation treats the surviving material as a single corpus in order to examine broadly the modes of visual display and particularized iconography used to represent the University and its members, and more specifically how visual iconography helped shape the University's flexible corporate identity.","Made available in DSpace on 2015-09-28T15:53:02Z (GMT). No. of bitstreams: 2 license.txt: 4848 bytes, checksum: 96035ab3f5e1c23cc7138a224ce498bd (MD5) 3269838.pdf: 11286293 bytes, checksum: 9af421ec1ed6c83c4b5d04ccdbd422c9 (MD5) Previous issue date: 2007","Embargo set by: Seth Robbins for item 88657 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","U of I Only","266 p.","Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2007."]},{"key":"dc:title","label":"Title","values":["Visual Constructions of Corporate Identity for the University of Paris, 1200--1500"]}]}],"canonical_facts":{"dc:contributor":["Hedeman, Anne D."],"dc:creator":["Bauer, Charlotte D."],"dc:date":["2015-09-28T15:53:02Z","10000-01-01","2007"],"dc:description":["Visual images representing the medieval University of Paris and its sub-groups (i.e., colleges, faculties, and 'nations') survive in a range of media, including painted miniatures, seals, and sculpture. The majority of these works have not been previously studied from an art historical perspective and are commonly interpreted as mere scenes of everyday university life when, in fact, they are highly constructed images that reflect varying notions of group identity for the institution. This dissertation treats the surviving material as a single corpus in order to examine broadly the modes of visual display and particularized iconography used to represent the University and its members, and more specifically how visual iconography helped shape the University's flexible corporate identity.","Made available in DSpace on 2015-09-28T15:53:02Z (GMT). No. of bitstreams: 2 license.txt: 4848 bytes, checksum: 96035ab3f5e1c23cc7138a224ce498bd (MD5) 3269838.pdf: 11286293 bytes, checksum: 9af421ec1ed6c83c4b5d04ccdbd422c9 (MD5) Previous issue date: 2007","Embargo set by: Seth Robbins for item 88657 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","U of I Only","266 p.","Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2007."],"dc:identifier":["http://hdl.handle.net/2142/87376","(MiAaPQ)AAI3269838"],"dc:language":["eng"],"dc:subject":["History, European"],"dc:title":["Visual Constructions of Corporate Identity for the University of Paris, 1200--1500"],"dc:type":["text"],"thesis:degree_discipline":["Art History"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["Ph.D."],"thesis:institution_name":["University of Illinois at Urbana-Champaign"]},"updated_at":"2026-07-22T22:26:30Z"}