{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/87365"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/87365","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Late Byzantine Liturgical Vestments and the Iconography of Sacerdotal Power","abstract":"Previous scholars have argued that the Orthodox clergy actively borrowed elements from the dress of the emperor and his court in the late Byzantine period. I argue that, in addition, the decoration of liturgical vestments adapts the hierarchical code of imperial imagery used on court costume. Byzantine court officials wore garments bearing imperial portraits, symbolic emblems, and particular colors to signify the power vested in them by the emperor. Without exactly paralleling the court garments, late Byzantine liturgical vestments bore analogous decoration that established a symbolic hierarchy dependent on Christ rather than the emperor as its head.","abstract_html":"Previous scholars have argued that the Orthodox clergy actively borrowed elements from the dress of the emperor and his court in the late Byzantine period. I argue that, in addition, the decoration of liturgical vestments adapts the hierarchical code of imperial imagery used on court costume. Byzantine court officials wore garments bearing imperial portraits, symbolic emblems, and particular colors to signify the power vested in them by the emperor. Without exactly paralleling the court garments, late Byzantine liturgical vestments bore analogous decoration that established a symbolic hierarchy dependent on Christ rather than the emperor as its head.","abstract_has_math":false,"creators":["Woodfin, Warren Theriot"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"Art History","degree_department":null,"school":null,"contributors":["Maguire, Henry"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2015,"date_issued":"2015-09-28T15:52:55Z","date_published":"2015-09-28T15:52:55Z","updated_at":"2026-07-22T22:26:30Z","subjects":["History, Church"],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["(MiAaPQ)AAI3044262"],"render_values":[{"text":"(MiAaPQ)AAI3044262","href":null,"code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/2142/87365","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Maguire, Henry"]},{"key":"dc:creator","label":"Author","values":["Woodfin, Warren Theriot"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2015-09-28T15:52:55Z","10000-01-01","2002"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Art History"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["History, Church"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/87365","(MiAaPQ)AAI3044262"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Previous scholars have argued that the Orthodox clergy actively borrowed elements from the dress of the emperor and his court in the late Byzantine period. I argue that, in addition, the decoration of liturgical vestments adapts the hierarchical code of imperial imagery used on court costume. Byzantine court officials wore garments bearing imperial portraits, symbolic emblems, and particular colors to signify the power vested in them by the emperor. Without exactly paralleling the court garments, late Byzantine liturgical vestments bore analogous decoration that established a symbolic hierarchy dependent on Christ rather than the emperor as its head.","Made available in DSpace on 2015-09-28T15:52:55Z (GMT). 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I argue that, in addition, the decoration of liturgical vestments adapts the hierarchical code of imperial imagery used on court costume. Byzantine court officials wore garments bearing imperial portraits, symbolic emblems, and particular colors to signify the power vested in them by the emperor. Without exactly paralleling the court garments, late Byzantine liturgical vestments bore analogous decoration that established a symbolic hierarchy dependent on Christ rather than the emperor as its head.","Made available in DSpace on 2015-09-28T15:52:55Z (GMT). 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