{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/87363"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/87363","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"The Embrace of the Fragmented Self: The Art of Joerg Immendorff","abstract":"The progression of Immendorff's understanding and questioning of the formation of the self, made evident in his art, is shown to have evolved from an investigation of classifying external influences to a exceedingly personal introspective reflection. This study stands out from other studies for its concern with the interweaving of structural conceptions, symbolism and form. It addresses the totality of Immendorff's formal development to a greater extent than previous discussions and shows Immendorff's formal practice and ontological concerns to be a continuing form of activism.","abstract_html":"The progression of Immendorff's understanding and questioning of the formation of the self, made evident in his art, is shown to have evolved from an investigation of classifying external influences to a exceedingly personal introspective reflection. This study stands out from other studies for its concern with the interweaving of structural conceptions, symbolism and form. It addresses the totality of Immendorff's formal development to a greater extent than previous discussions and shows Immendorff's formal practice and ontological concerns to be a continuing form of activism.","abstract_has_math":false,"creators":["Cox, Lorraine Morales"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"Art History","degree_department":null,"school":null,"contributors":["Fineberg, Jonathan"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2015,"date_issued":"2015-09-28T15:52:54Z","date_published":"2015-09-28T15:52:54Z","updated_at":"2026-07-22T22:26:30Z","subjects":["Art History"],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["(MiAaPQ)AAI3023039"],"render_values":[{"text":"(MiAaPQ)AAI3023039","href":null,"code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/2142/87363","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Fineberg, Jonathan"]},{"key":"dc:creator","label":"Author","values":["Cox, Lorraine Morales"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2015-09-28T15:52:54Z","10000-01-01","2001"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Art History"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Art History"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/87363","(MiAaPQ)AAI3023039"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["The progression of Immendorff's understanding and questioning of the formation of the self, made evident in his art, is shown to have evolved from an investigation of classifying external influences to a exceedingly personal introspective reflection. This study stands out from other studies for its concern with the interweaving of structural conceptions, symbolism and form. It addresses the totality of Immendorff's formal development to a greater extent than previous discussions and shows Immendorff's formal practice and ontological concerns to be a continuing form of activism.","Made available in DSpace on 2015-09-28T15:52:54Z (GMT). No. of bitstreams: 2 license.txt: 4848 bytes, checksum: 96035ab3f5e1c23cc7138a224ce498bd (MD5) 3023039.pdf: 26532625 bytes, checksum: b0ec913cd41d4edc302b205111142e89 (MD5) Previous issue date: 2001","Embargo set by: Seth Robbins for item 88644 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","U of I Only","484 p.","Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2001."]},{"key":"dc:title","label":"Title","values":["The Embrace of the Fragmented Self: The Art of Joerg Immendorff"]}]}],"canonical_facts":{"dc:contributor":["Fineberg, Jonathan"],"dc:creator":["Cox, Lorraine Morales"],"dc:date":["2015-09-28T15:52:54Z","10000-01-01","2001"],"dc:description":["The progression of Immendorff's understanding and questioning of the formation of the self, made evident in his art, is shown to have evolved from an investigation of classifying external influences to a exceedingly personal introspective reflection. This study stands out from other studies for its concern with the interweaving of structural conceptions, symbolism and form. It addresses the totality of Immendorff's formal development to a greater extent than previous discussions and shows Immendorff's formal practice and ontological concerns to be a continuing form of activism.","Made available in DSpace on 2015-09-28T15:52:54Z (GMT). No. of bitstreams: 2 license.txt: 4848 bytes, checksum: 96035ab3f5e1c23cc7138a224ce498bd (MD5) 3023039.pdf: 26532625 bytes, checksum: b0ec913cd41d4edc302b205111142e89 (MD5) Previous issue date: 2001","Embargo set by: Seth Robbins for item 88644 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","U of I Only","484 p.","Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2001."],"dc:identifier":["http://hdl.handle.net/2142/87363","(MiAaPQ)AAI3023039"],"dc:language":["eng"],"dc:subject":["Art History"],"dc:title":["The Embrace of the Fragmented Self: The Art of Joerg Immendorff"],"dc:type":["text"],"thesis:degree_discipline":["Art History"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["Ph.D."],"thesis:institution_name":["University of Illinois at Urbana-Champaign"]},"updated_at":"2026-07-22T22:26:30Z"}