{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/87300"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/87300","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Detour to Otherness: Cultural Identity Discourse in Contemporary *American, Ukrainian, and Polish Literatures","abstract":"\"The comparison demonstrates that despite the extensive tradition of addressing diversity in the American literature, the horizontal lines of intercultural exchange or the non-hierarchical \"\"ethnorelativism of representation\"\" emerges in American writing only recently, in the works produced as post-traumatic responses to the disturbing intrusions of alterity. Ukrainian identity politics moves along the lines of a diachronic symbolic displacement, the post-authoritarian shift, and calls into question the relevance of a homogenous cultural discourse supplied by the traditional national narrative. Contemporary Polish literature discovers domestic others and re-negotiates its cultural space by challenging the norm of maintaining a restricted set of definitions of the Polish. Regardless of the differences in literary traditions or the kinds of intercultural experience, the works from all three cultures depend on the same techniques of symbolic displacement and contextualization in constructing the meaning of a given culture.\"","abstract_html":""The comparison demonstrates that despite the extensive tradition of addressing diversity in the American literature, the horizontal lines of intercultural exchange or the non-hierarchical ""ethnorelativism of representation"" emerges in American writing only recently, in the works produced as post-traumatic responses to the disturbing intrusions of alterity. Ukrainian identity politics moves along the lines of a diachronic symbolic displacement, the post-authoritarian shift, and calls into question the relevance of a homogenous cultural discourse supplied by the traditional national narrative. Contemporary Polish literature discovers domestic others and re-negotiates its cultural space by challenging the norm of maintaining a restricted set of definitions of the Polish. Regardless of the differences in literary traditions or the kinds of intercultural experience, the works from all three cultures depend on the same techniques of symbolic displacement and contextualization in constructing the meaning of a given culture."","abstract_has_math":false,"creators":["Tkachuk, Yuliya Oleksandrivna"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"Comparative Literature","degree_department":null,"school":null,"contributors":["Blake, Nancy"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2015,"date_issued":"2015-09-28T15:51:14Z","date_published":"2015-09-28T15:51:14Z","updated_at":"2026-07-22T22:26:30Z","subjects":["Literature, American"],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["(MiAaPQ)AAI3395517"],"render_values":[{"text":"(MiAaPQ)AAI3395517","href":null,"code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/2142/87300","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Blake, Nancy"]},{"key":"dc:creator","label":"Author","values":["Tkachuk, Yuliya Oleksandrivna"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2015-09-28T15:51:14Z","10000-01-01","2009"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Comparative Literature"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Literature, American"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/87300","(MiAaPQ)AAI3395517"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["\"The comparison demonstrates that despite the extensive tradition of addressing diversity in the American literature, the horizontal lines of intercultural exchange or the non-hierarchical \"\"ethnorelativism of representation\"\" emerges in American writing only recently, in the works produced as post-traumatic responses to the disturbing intrusions of alterity. Ukrainian identity politics moves along the lines of a diachronic symbolic displacement, the post-authoritarian shift, and calls into question the relevance of a homogenous cultural discourse supplied by the traditional national narrative. Contemporary Polish literature discovers domestic others and re-negotiates its cultural space by challenging the norm of maintaining a restricted set of definitions of the Polish. Regardless of the differences in literary traditions or the kinds of intercultural experience, the works from all three cultures depend on the same techniques of symbolic displacement and contextualization in constructing the meaning of a given culture.\"","Made available in DSpace on 2015-09-28T15:51:14Z (GMT). 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