{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/87288"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/87288","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"The Horror, the Horror: The Repetition and Compulsion of a Genre","abstract":"Examining how Chinese filmmakers, through the decades, (re)interpreted The Phantom of the Opera (Julian, 1925) and its source novel, Gaston Leroux's 1910 Le Fantome de L'Opera, in the Ye Ban Ge Sheng series, as well as how Hollywood and Japan borrowed from each other in the Ringu (Nakata, 1998)/The Ring (Verbinski, 2002) series of remakes, this dissertation uses these cases of crosscultural interpretations of horror to (1) shed light on the way Hollywood functions and markets in a global postliterate environment, (2) exemplify and illuminate the inner workings of the Hollywood movie development process, (3) demonstrate cross-cultural interpretations and usages of a genre, and (4) pose questions about the universal psychological compulsion for horror movies and their remakes. It proposes that repetition compulsion and regression to childhood are interlinked motivations for the repetitious nature and popularity of horror.","abstract_html":"Examining how Chinese filmmakers, through the decades, (re)interpreted The Phantom of the Opera (Julian, 1925) and its source novel, Gaston Leroux's 1910 Le Fantome de L'Opera, in the Ye Ban Ge Sheng series, as well as how Hollywood and Japan borrowed from each other in the Ringu (Nakata, 1998)/The Ring (Verbinski, 2002) series of remakes, this dissertation uses these cases of crosscultural interpretations of horror to (1) shed light on the way Hollywood functions and markets in a global postliterate environment, (2) exemplify and illuminate the inner workings of the Hollywood movie development process, (3) demonstrate cross-cultural interpretations and usages of a genre, and (4) pose questions about the universal psychological compulsion for horror movies and their remakes. It proposes that repetition compulsion and regression to childhood are interlinked motivations for the repetitious nature and popularity of horror.","abstract_has_math":false,"creators":["Chua, John Soon Leng"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"Comparative Literature","degree_department":null,"school":null,"contributors":["Blake, Nancy","David Desser"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2015,"date_issued":"2015-09-28T15:51:09Z","date_published":"2015-09-28T15:51:09Z","updated_at":"2026-07-22T22:26:28Z","subjects":["Literature, Asian"],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["(MiAaPQ)AAI3153273"],"render_values":[{"text":"(MiAaPQ)AAI3153273","href":null,"code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/2142/87288","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Blake, Nancy","David Desser"]},{"key":"dc:creator","label":"Author","values":["Chua, John Soon Leng"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2015-09-28T15:51:09Z","10000-01-01","2004"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Comparative Literature"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Literature, Asian"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/87288","(MiAaPQ)AAI3153273"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Examining how Chinese filmmakers, through the decades, (re)interpreted The Phantom of the Opera (Julian, 1925) and its source novel, Gaston Leroux's 1910 Le Fantome de L'Opera, in the Ye Ban Ge Sheng series, as well as how Hollywood and Japan borrowed from each other in the Ringu (Nakata, 1998)/The Ring (Verbinski, 2002) series of remakes, this dissertation uses these cases of crosscultural interpretations of horror to (1) shed light on the way Hollywood functions and markets in a global postliterate environment, (2) exemplify and illuminate the inner workings of the Hollywood movie development process, (3) demonstrate cross-cultural interpretations and usages of a genre, and (4) pose questions about the universal psychological compulsion for horror movies and their remakes. 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No. of bitstreams: 2 license.txt: 4848 bytes, checksum: 96035ab3f5e1c23cc7138a224ce498bd (MD5) 3153273.pdf: 14902878 bytes, checksum: 408b3242d46569fa76f4ff27b4e43692 (MD5) Previous issue date: 2004","Embargo set by: Seth Robbins for item 88569 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","U of I Only","252 p.","Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2004."],"dc:identifier":["http://hdl.handle.net/2142/87288","(MiAaPQ)AAI3153273"],"dc:language":["eng"],"dc:subject":["Literature, Asian"],"dc:title":["The Horror, the Horror: The Repetition and Compulsion of a Genre"],"dc:type":["text"],"thesis:degree_discipline":["Comparative Literature"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["Ph.D."],"thesis:institution_name":["University of Illinois at Urbana-Champaign"]},"updated_at":"2026-07-22T22:26:28Z"}