{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/86591"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/86591","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"The Tao of South Park: Dissonant Visual Culture and the Future of Politics","abstract":"A self-consciously oppositional institution that appropriates (and protects itself with) a lucrative brand identity and history of comedic or animated commentary, South Park is an example of how popular culture can interact not only with and react against dominant ideology, but also how such cultural productions are sanctioned and desired by a media system that requires audience loyalty. In South Park silences and traumas become apparent as silences and as traumas, internalizing their own repression and displacing it into poignant social commentary. This does not prove agency or effect, and indeed can be self-destructive, but it does demonstrate that because culture is made of shifting and evolving texts it is both possible to demonstrate the potential for and locations of emancipatory politics. The Tao of South Park seeks to chart such shifts and evolution, bridging gaps between community, media and the political.","abstract_html":"A self-consciously oppositional institution that appropriates (and protects itself with) a lucrative brand identity and history of comedic or animated commentary, South Park is an example of how popular culture can interact not only with and react against dominant ideology, but also how such cultural productions are sanctioned and desired by a media system that requires audience loyalty. In South Park silences and traumas become apparent as silences and as traumas, internalizing their own repression and displacing it into poignant social commentary. This does not prove agency or effect, and indeed can be self-destructive, but it does demonstrate that because culture is made of shifting and evolving texts it is both possible to demonstrate the potential for and locations of emancipatory politics. The Tao of South Park seeks to chart such shifts and evolution, bridging gaps between community, media and the political.","abstract_has_math":false,"creators":["Gournelos, Theodore Peter"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"Communications","degree_department":null,"school":null,"contributors":["Kent Ono"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2015,"date_issued":"2015-09-28T15:15:41Z","date_published":"2015-09-28T15:15:41Z","updated_at":"2026-07-22T22:26:27Z","subjects":["Mass Communications"],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["(MiAaPQ)AAI3314778"],"render_values":[{"text":"(MiAaPQ)AAI3314778","href":null,"code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/2142/86591","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Kent Ono"]},{"key":"dc:creator","label":"Author","values":["Gournelos, Theodore Peter"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2015-09-28T15:15:41Z","10000-01-01","2008"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Communications"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Mass Communications"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/86591","(MiAaPQ)AAI3314778"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["A self-consciously oppositional institution that appropriates (and protects itself with) a lucrative brand identity and history of comedic or animated commentary, South Park is an example of how popular culture can interact not only with and react against dominant ideology, but also how such cultural productions are sanctioned and desired by a media system that requires audience loyalty. 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