{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/86577"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/86577","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Calypso, Masquerade Performance and Post National Identities","abstract":"\"In this project I assert that masquerade offers an historical, critical, and theoretical means of paying attention to the competing narratives articulated in the broad range of communication practices. I offer masquerade analysis as a methodological approach which seeks to achieve the goal of a multiperspectival Cultural Studies. Three cases are at the core of this study: Anthony \"\"The Mighty Gabby\"\" Carter, Alison Hinds, and Ricardo \"\"Lil' Rick\"\" Reid. By analyzing these Calypso/Soca artists performances utilizing the methodological resonances of the metaphor of masquerade, this study explores the constitution of gendered, classed, raced and sexualized national identities.\"","abstract_html":""In this project I assert that masquerade offers an historical, critical, and theoretical means of paying attention to the competing narratives articulated in the broad range of communication practices. I offer masquerade analysis as a methodological approach which seeks to achieve the goal of a multiperspectival Cultural Studies. Three cases are at the core of this study: Anthony ""The Mighty Gabby"" Carter, Alison Hinds, and Ricardo ""Lil' Rick"" Reid. By analyzing these Calypso/Soca artists performances utilizing the methodological resonances of the metaphor of masquerade, this study explores the constitution of gendered, classed, raced and sexualized national identities."","abstract_has_math":false,"creators":["Harewood, Susan J."],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"Communications","degree_department":null,"school":null,"contributors":["McCarthy, Cameron"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":null,"date_issued":"10000-01-01","date_published":"10000-01-01","updated_at":"2026-07-22T22:26:27Z","subjects":["Caribbean Studies"],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["(MiAaPQ)AAI3223609"],"render_values":[{"text":"(MiAaPQ)AAI3223609","href":null,"code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/2142/86577","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["McCarthy, Cameron"]},{"key":"dc:creator","label":"Author","values":["Harewood, Susan J."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["10000-01-01","2006","2015-09-28T15:15:37Z"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Communications"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Caribbean Studies"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/86577","(MiAaPQ)AAI3223609"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["\"In this project I assert that masquerade offers an historical, critical, and theoretical means of paying attention to the competing narratives articulated in the broad range of communication practices. 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