{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/86566"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/86566","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Playful Labors: Narrative, Work and Digital Games","abstract":"\"This dissertation applies a critical cultural studies approach to digital gaming. Specifically, I examine the strategic simulation genre, often called \"\"god games,\"\" such as SimCity, Civilization , and The Sims. Two ideas guide the various readings and analyses of digital games. First, despite being seen by many as the unserious objects of youthful play, games must be understood in terms of economic labor: the work involved in their play, the ways in which the labor of players is translated into different forms of value, and the economic impact of games on the cultural landscape. Second, I argue that god games possess elements of what Frederic Jameson calls \"\"an aesthetic of cognitive mapping.\"\" Such an aesthetic seeks to meaningfully locate and orient individuals within the increasingly disorienting spaces of the postmodern late capitalism. I argue that the widespread success of god games can be read as symptom of the utopian desire for forms of collective and totalizing thought to resist the fragmenting effects of late capitalist consumer culture.\"","abstract_html":""This dissertation applies a critical cultural studies approach to digital gaming. Specifically, I examine the strategic simulation genre, often called ""god games,"" such as SimCity, Civilization , and The Sims. Two ideas guide the various readings and analyses of digital games. First, despite being seen by many as the unserious objects of youthful play, games must be understood in terms of economic labor: the work involved in their play, the ways in which the labor of players is translated into different forms of value, and the economic impact of games on the cultural landscape. Second, I argue that god games possess elements of what Frederic Jameson calls ""an aesthetic of cognitive mapping."" Such an aesthetic seeks to meaningfully locate and orient individuals within the increasingly disorienting spaces of the postmodern late capitalism. I argue that the widespread success of god games can be read as symptom of the utopian desire for forms of collective and totalizing thought to resist the fragmenting effects of late capitalist consumer culture."","abstract_has_math":false,"creators":["Miklaucic, Shawn Anthony"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"Communications","degree_department":null,"school":null,"contributors":["McCarthy, Cameron"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2015,"date_issued":"2015-09-28T15:15:30Z","date_published":"2015-09-28T15:15:30Z","updated_at":"2026-07-22T22:26:27Z","subjects":["Mass Communications"],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["(MiAaPQ)AAI3130982"],"render_values":[{"text":"(MiAaPQ)AAI3130982","href":null,"code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/2142/86566","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["McCarthy, Cameron"]},{"key":"dc:creator","label":"Author","values":["Miklaucic, Shawn Anthony"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2015-09-28T15:15:30Z","2004"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Communications"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Mass Communications"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/86566","(MiAaPQ)AAI3130982"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["\"This dissertation applies a critical cultural studies approach to digital gaming. 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I argue that the widespread success of god games can be read as symptom of the utopian desire for forms of collective and totalizing thought to resist the fragmenting effects of late capitalist consumer culture.\"","Made available in DSpace on 2015-09-28T15:15:30Z (GMT). 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