{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/86260"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/86260","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"From Surrealist Film to Surrealism in Film (Surrealism in the 20th Century Commercial Cinema)","abstract":"\"Chapter five, \"\"Andre Delvaux or What Surrealism Could Have Been,\"\" looks at Delvaux's exploration of the dialectic real---imaginary and the Proustian dimension of his films. Chapter VI, \"\"Surrealism in Contemporary French Cinema,\"\" explores the dispersion of Surrealism in contemporary French cinema, while the conclusions point to other possibilities of research in various world cinemas. Covering a period of eight decades, this research puts into perspective the remarkable developments and metamorphosis of contemporary Surrealism.\"","abstract_html":""Chapter five, ""Andre Delvaux or What Surrealism Could Have Been,"" looks at Delvaux's exploration of the dialectic real---imaginary and the Proustian dimension of his films. Chapter VI, ""Surrealism in Contemporary French Cinema,"" explores the dispersion of Surrealism in contemporary French cinema, while the conclusions point to other possibilities of research in various world cinemas. Covering a period of eight decades, this research puts into perspective the remarkable developments and metamorphosis of contemporary Surrealism."","abstract_has_math":false,"creators":["Giukin, Lenuta"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"French","degree_department":null,"school":null,"contributors":["David Desser"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2015,"date_issued":"2015-09-28T15:02:12Z","date_published":"2015-09-28T15:02:12Z","updated_at":"2026-07-22T22:26:26Z","subjects":["Literature, Romance"],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["(MiAaPQ)AAI3044095"],"render_values":[{"text":"(MiAaPQ)AAI3044095","href":null,"code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/2142/86260","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["David Desser"]},{"key":"dc:creator","label":"Author","values":["Giukin, Lenuta"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2015-09-28T15:02:12Z","10000-01-01","2002"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["French"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Literature, Romance"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/86260","(MiAaPQ)AAI3044095"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["\"Chapter five, \"\"Andre Delvaux or What Surrealism Could Have Been,\"\" looks at Delvaux's exploration of the dialectic real---imaginary and the Proustian dimension of his films. 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Chapter VI, \"\"Surrealism in Contemporary French Cinema,\"\" explores the dispersion of Surrealism in contemporary French cinema, while the conclusions point to other possibilities of research in various world cinemas. Covering a period of eight decades, this research puts into perspective the remarkable developments and metamorphosis of contemporary Surrealism.\"","Made available in DSpace on 2015-09-28T15:02:12Z (GMT). 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