{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/86169"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/86169","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Writing Barcelona: Reflections on City Planning and Urban Experience, 1854--1888","abstract":"\"The intertextual relationships between these discourses uncover the inner tensions of a project of urban modernization which was fuelled by the emerging bourgeoisie and remains in question to this day. Indeed, this dissertation aims at exposing the initial articulation of what has recently been called the \"\"Barcelona model,\"\" a multi-faceted plan of urban development based on the concept of the city as spectacle which has been implemented cyclically according to periodical mandatory rites of passage: the Universal Exhibition of 1888, the International Exhibition of 1929, the 1992 Olympic Games, and the Forum Internacional de les Cultures in 2004. Ultimately, I suggest that these two apparently irreconcilable positions---the overarching plans of urban transformation led by the local administration, and the local dissent of citizens threatened by these periodical revolutions---are not only an integral part of the modernization process but also that these two positions are, in the final analysis, fundamentally modern.\"","abstract_html":""The intertextual relationships between these discourses uncover the inner tensions of a project of urban modernization which was fuelled by the emerging bourgeoisie and remains in question to this day. Indeed, this dissertation aims at exposing the initial articulation of what has recently been called the ""Barcelona model,"" a multi-faceted plan of urban development based on the concept of the city as spectacle which has been implemented cyclically according to periodical mandatory rites of passage: the Universal Exhibition of 1888, the International Exhibition of 1929, the 1992 Olympic Games, and the Forum Internacional de les Cultures in 2004. Ultimately, I suggest that these two apparently irreconcilable positions---the overarching plans of urban transformation led by the local administration, and the local dissent of citizens threatened by these periodical revolutions---are not only an integral part of the modernization process but also that these two positions are, in the final analysis, fundamentally modern."","abstract_has_math":false,"creators":["Olivar, Jordi"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"Spanish","degree_department":null,"school":null,"contributors":["Delgado, Luisa-Elena"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2015,"date_issued":"2015-09-28T14:55:11Z","date_published":"2015-09-28T14:55:11Z","updated_at":"2026-07-22T22:26:26Z","subjects":["Art History"],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["(MiAaPQ)AAI3452100"],"render_values":[{"text":"(MiAaPQ)AAI3452100","href":null,"code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/2142/86169","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Delgado, Luisa-Elena"]},{"key":"dc:creator","label":"Author","values":["Olivar, Jordi"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2015-09-28T14:55:11Z","10000-01-01","2010"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Spanish"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Art History"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/86169","(MiAaPQ)AAI3452100"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["\"The intertextual relationships between these discourses uncover the inner tensions of a project of urban modernization which was fuelled by the emerging bourgeoisie and remains in question to this day. Indeed, this dissertation aims at exposing the initial articulation of what has recently been called the \"\"Barcelona model,\"\" a multi-faceted plan of urban development based on the concept of the city as spectacle which has been implemented cyclically according to periodical mandatory rites of passage: the Universal Exhibition of 1888, the International Exhibition of 1929, the 1992 Olympic Games, and the Forum Internacional de les Cultures in 2004. Ultimately, I suggest that these two apparently irreconcilable positions---the overarching plans of urban transformation led by the local administration, and the local dissent of citizens threatened by these periodical revolutions---are not only an integral part of the modernization process but also that these two positions are, in the final analysis, fundamentally modern.\"","Made available in DSpace on 2015-09-28T14:55:11Z (GMT). No. of bitstreams: 2 license.txt: 4848 bytes, checksum: 96035ab3f5e1c23cc7138a224ce498bd (MD5) 3452100.pdf: 52335068 bytes, checksum: fd2fe1c8f9588da3ae2c00fbc0525b92 (MD5) Previous issue date: 2010","Embargo set by: Seth Robbins for item 87450 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","U of I Only","454 p.","Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2010."]},{"key":"dc:title","label":"Title","values":["Writing Barcelona: Reflections on City Planning and Urban Experience, 1854--1888"]}]}],"canonical_facts":{"dc:contributor":["Delgado, Luisa-Elena"],"dc:creator":["Olivar, Jordi"],"dc:date":["2015-09-28T14:55:11Z","10000-01-01","2010"],"dc:description":["\"The intertextual relationships between these discourses uncover the inner tensions of a project of urban modernization which was fuelled by the emerging bourgeoisie and remains in question to this day. Indeed, this dissertation aims at exposing the initial articulation of what has recently been called the \"\"Barcelona model,\"\" a multi-faceted plan of urban development based on the concept of the city as spectacle which has been implemented cyclically according to periodical mandatory rites of passage: the Universal Exhibition of 1888, the International Exhibition of 1929, the 1992 Olympic Games, and the Forum Internacional de les Cultures in 2004. Ultimately, I suggest that these two apparently irreconcilable positions---the overarching plans of urban transformation led by the local administration, and the local dissent of citizens threatened by these periodical revolutions---are not only an integral part of the modernization process but also that these two positions are, in the final analysis, fundamentally modern.\"","Made available in DSpace on 2015-09-28T14:55:11Z (GMT). No. of bitstreams: 2 license.txt: 4848 bytes, checksum: 96035ab3f5e1c23cc7138a224ce498bd (MD5) 3452100.pdf: 52335068 bytes, checksum: fd2fe1c8f9588da3ae2c00fbc0525b92 (MD5) Previous issue date: 2010","Embargo set by: Seth Robbins for item 87450 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","U of I Only","454 p.","Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2010."],"dc:identifier":["http://hdl.handle.net/2142/86169","(MiAaPQ)AAI3452100"],"dc:language":["eng"],"dc:subject":["Art History"],"dc:title":["Writing Barcelona: Reflections on City Planning and Urban Experience, 1854--1888"],"dc:type":["text"],"thesis:degree_discipline":["Spanish"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["Ph.D."],"thesis:institution_name":["University of Illinois at Urbana-Champaign"]},"updated_at":"2026-07-22T22:26:26Z"}