{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/86143"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/86143","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Edgardo Rodriguez Julia: Peregrinaciones, Heroes Y Tumbas en La Formacion De La Nacion Puertorriquena","abstract":"Adapting this metaphor to the Puerto Rican case leaves the reader with three messianic figures that illustrates the evolution and the transmutation of times and values: the 18th-century infant, el Nino Aviles; the Puerto Rican governor Luis Munoz Marin; and the Afro Caribbean musician, Ismael Rivera. Each narrative represents a stage in the development of a contested Puerto Rican national identity that has denied the salience of race. Collectively these works resurrect the mulatto as a central figure in the formation of contemporary Puerto Rican identity.","abstract_html":"Adapting this metaphor to the Puerto Rican case leaves the reader with three messianic figures that illustrates the evolution and the transmutation of times and values: the 18th-century infant, el Nino Aviles; the Puerto Rican governor Luis Munoz Marin; and the Afro Caribbean musician, Ismael Rivera. Each narrative represents a stage in the development of a contested Puerto Rican national identity that has denied the salience of race. 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