{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/86140"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/86140","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Rocking the Regime: The Role of Argentine Rock Music in a Changing Socio-Political Context (1970--1985)","abstract":"\"I further posit that the rock nacional phenomenon had a collaborative authorship, articulated through the (often unintended and unwilling) interaction of many individuals and institutions, including state, artists and public. Both the military men so demonized by many Argentines as well as the rock musicians they so idolized, were in reality all actors in the same social drama. 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