{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/86131"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/86131","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Geografias De Resistencia: Espacio Poetico Y Homosexualidad Masculina en La Poesia Espanola Contemporanea","abstract":"The first chapter examines the crisis of poetic subjectivity confronting the homo/heterosexual definition in Federico Garcia Lorca. This crisis produces a tropology of the body through death, silence, secrecy, and unproductive sexuality that constitutes a system of knowledge, a metaphysics of presence of male homosexuality. The second chapter considers Luis Cernuda's masterful articulation of homosexual desire through traditional poetic resources such as myth and nature. Their aesthetic manipulation through verbal imagery in Cernuda's poetry produces a series of poetic landscapes that are both the medium and the outcome of an inner sexual exile, which later materializes in geographical space. Finally, the spatial trajectory of this dissertation concludes with the paradigm of social space, the city, as represented in the urban poetics of Jaime Gil de Biedma: the poetic self is seen constituting itself via homoerotic experience in different settings in the city. From domestic space to parks, bars, cafes, and hotel rooms, this urban dynamic of love, desire, and eroticism points to the relevance of the culture of everyday life in the creative process, as well as to a social habitus in direct opposition to the ideological tenets of compulsory heterosexuality. Hence, this dissertation has studied this triumvirate as a group in order to demonstrate how a homosexual and homosocial subjectivity appears inscribed in an aesthetic vision of space.","abstract_html":"The first chapter examines the crisis of poetic subjectivity confronting the homo/heterosexual definition in Federico Garcia Lorca. This crisis produces a tropology of the body through death, silence, secrecy, and unproductive sexuality that constitutes a system of knowledge, a metaphysics of presence of male homosexuality. The second chapter considers Luis Cernuda's masterful articulation of homosexual desire through traditional poetic resources such as myth and nature. Their aesthetic manipulation through verbal imagery in Cernuda's poetry produces a series of poetic landscapes that are both the medium and the outcome of an inner sexual exile, which later materializes in geographical space. Finally, the spatial trajectory of this dissertation concludes with the paradigm of social space, the city, as represented in the urban poetics of Jaime Gil de Biedma: the poetic self is seen constituting itself via homoerotic experience in different settings in the city. From domestic space to parks, bars, cafes, and hotel rooms, this urban dynamic of love, desire, and eroticism points to the relevance of the culture of everyday life in the creative process, as well as to a social habitus in direct opposition to the ideological tenets of compulsory heterosexuality. Hence, this dissertation has studied this triumvirate as a group in order to demonstrate how a homosexual and homosocial subjectivity appears inscribed in an aesthetic vision of space.","abstract_has_math":false,"creators":["Alvarez, Enrique"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"Spanish","degree_department":null,"school":null,"contributors":["John Wilcox"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2015,"date_issued":"2015-09-28T14:54:57Z","date_published":"2015-09-28T14:54:57Z","updated_at":"2026-07-22T22:26:26Z","subjects":["Literature, Romance"],"languages":["spa"],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["(MiAaPQ)AAI3153234"],"render_values":[{"text":"(MiAaPQ)AAI3153234","href":null,"code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/2142/86131","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["John Wilcox"]},{"key":"dc:creator","label":"Author","values":["Alvarez, Enrique"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2015-09-28T14:54:57Z","10000-01-01","2004"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Spanish"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Literature, Romance"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["spa"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/86131","(MiAaPQ)AAI3153234"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["The first chapter examines the crisis of poetic subjectivity confronting the homo/heterosexual definition in Federico Garcia Lorca. 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