{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/85868"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/85868","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Choro and Music Revivalism in Rio De Janeiro, 1973--1995","abstract":"The choro revival had several results. Its immediate effect was to fill a void in the expressive culture of sectors of the middle class, serving as a basis for reestablishing their Brazilian identity in a politically and socially turbulent period. As a musical movement, it reinvigorated choro as a musical style by attracting and educating new dedicated players who continue to explore its musical potential. Post-revival choro practice in Rio de Janeiro is characterized by a distinct shift away from participatory modes to mostly presentational and recorded modes of choro. 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