{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/85827"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/85827","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Through the Lens of Freemasonry: The Influence of Ancient Esoteric Thought on Beethoven's Late Works","abstract":"I attempt to show in this thesis that Beethoven's musical concepts were deeply enriched through the influence of Freemasonry and other types of ancient philosophical and esoteric thought. The composer integrated these concepts into his world view as well as his music. Evidence of this philosophical/musical synthesis can be seen by comparing his personal writings with certain of his compositions that reflect such thought and attitudes. Three works are examined from this point of view: the Bagatelle, op. 119, No. 7, the Piano Sonata in C minor, op. 111, and the String Quartet in C-sharp minor, op. 131.","abstract_html":"I attempt to show in this thesis that Beethoven's musical concepts were deeply enriched through the influence of Freemasonry and other types of ancient philosophical and esoteric thought. The composer integrated these concepts into his world view as well as his music. Evidence of this philosophical/musical synthesis can be seen by comparing his personal writings with certain of his compositions that reflect such thought and attitudes. Three works are examined from this point of view: the Bagatelle, op. 119, No. 7, the Piano Sonata in C minor, op. 111, and the String Quartet in C-sharp minor, op. 131.","abstract_has_math":false,"creators":["Gaona, Brian S."],"institution":"University of Illinois at Urbana-Champaign","degree_name":"D.M.A.","degree_level":"Dissertation","degree_discipline":"Music","degree_department":null,"school":null,"contributors":["William Kinderman","Vamos, Brandon"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2015,"date_issued":"2015-09-25T22:54:21Z","date_published":"2015-09-25T22:54:21Z","updated_at":"2026-07-22T22:26:26Z","subjects":["History, Ancient"],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["(MiAaPQ)AAI3430865"],"render_values":[{"text":"(MiAaPQ)AAI3430865","href":null,"code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/2142/85827","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["William Kinderman","Vamos, Brandon"]},{"key":"dc:creator","label":"Author","values":["Gaona, Brian S."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2015-09-25T22:54:21Z","10000-01-01","2010"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Music"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["D.M.A."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["History, Ancient"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/85827","(MiAaPQ)AAI3430865"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["I attempt to show in this thesis that Beethoven's musical concepts were deeply enriched through the influence of Freemasonry and other types of ancient philosophical and esoteric thought. 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