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Beginning with Renaissance entertainments, pageants and spectacles, this study examines relationships in Richard Wagner's gesamtkunstwerk, Ferruccio Busoni's \"\"Essence and Oneness of Music,\"\" Alexander Scriabin's synesthetic synthesis of arts and senses, Antonin Artaud's Theater and Its Double, Richard Schechner's \"\"Environmental Theater,\"\" Wassily Kandinsky's \"\"Stage Composition,\"\" Bertolt Brecht's \"\"Short Organum for the Theatre,\"\" Adolphe Appia's \"\"Word-Tone Drama,\"\" and Sergei Eisenstein' a The Film Sense and Film Form as well as artistic movements of the twentieth century including the Bauhaus, Futurism, Dadism, Surrealism, Merz Theatre, Happenings, Performance Art, and Radio Art. Each chapter introduces terminology and features examples that include John Cage and Lejaren Hiller's HPSCHD, Erik Satie, Jean Cocteau, Pablo Picasso and Leonide Massine's Parade, Salavatore Martirano's L. 's G. 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