{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/85711"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/85711","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Shaking Big Shoulders: Music and Dance Culture in Chicago, 1910--1925","abstract":"Part II discusses the dances themselves, focusing on the contrasting pair of the fox trot and shimmy, two dances that have previously received little scholarly attention. Chapter 4 discusses the development and dominance of the fox trot as the most popular dance of the era. Chapter 5 documents the development and dissemination of the shimmy, a shoulder- and hip-shaking dance. These dances reflected the multiple and contradictory practices regarding sexuality and gender, simultaneously expressing and structuring both conservative and modern ideals. While the provocative movements of the shimmy embodied the growing importance of sexual expression, the formation of distinct and separate responsibilities for the sexes in dances like the fox trot simultaneously reinscribed asymmetrical gender relations.","abstract_html":"Part II discusses the dances themselves, focusing on the contrasting pair of the fox trot and shimmy, two dances that have previously received little scholarly attention. Chapter 4 discusses the development and dominance of the fox trot as the most popular dance of the era. Chapter 5 documents the development and dissemination of the shimmy, a shoulder- and hip-shaking dance. These dances reflected the multiple and contradictory practices regarding sexuality and gender, simultaneously expressing and structuring both conservative and modern ideals. While the provocative movements of the shimmy embodied the growing importance of sexual expression, the formation of distinct and separate responsibilities for the sexes in dances like the fox trot simultaneously reinscribed asymmetrical gender relations.","abstract_has_math":false,"creators":["Bryant, Rebecca Ann"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"Music","degree_department":null,"school":null,"contributors":["Gushee, Lawrence"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2015,"date_issued":"2015-09-25T22:53:06Z","date_published":"2015-09-25T22:53:06Z","updated_at":"2026-07-22T22:26:25Z","subjects":["History, United States"],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["(MiAaPQ)AAI3086023"],"render_values":[{"text":"(MiAaPQ)AAI3086023","href":null,"code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/2142/85711","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Gushee, Lawrence"]},{"key":"dc:creator","label":"Author","values":["Bryant, Rebecca Ann"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2015-09-25T22:53:06Z","10000-01-01","2003"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Music"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["History, United States"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/85711","(MiAaPQ)AAI3086023"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Part II discusses the dances themselves, focusing on the contrasting pair of the fox trot and shimmy, two dances that have previously received little scholarly attention. 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