{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/85709"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/85709","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Singing With the Spirits: Musical Life in Sao Luis, Northeast Brazil","abstract":"This dissertation describes and compares three musical-religious traditions practiced by descendents of African slaves in Sao Luis, an urban, socially stratified, and economically marginalized city in northeast Brazil. The first, Tambor de Mina, is part of a complex of African-based spirit-possession religions characterized by a unique organizational structure, ritual calendar, set of musical practices, and cosmological beliefs. The second, Cura , takes place within sacred enclosures of Tambor de Mina centers and is strongly influenced by Amazonian healing rituals (pajelanca) in which spirit-possession and participatory music-making figure prominently. The third, Tambor de Crioula, is a popular, street-based tradition, increasingly linked to tourism, and danced in honor of the black Catholic saint, Benedict the Moor. These traditions have many musical elements in common; others are particular to each. Music is a vital part of each tradition's identity and is the primary medium through which ritual action unfolds. It mediates spirit possession and human interactions and, in so doing, helps to affirm and create meaning while preserving or forging new social roles and relationships in contexts of historical continuity and change.","abstract_html":"This dissertation describes and compares three musical-religious traditions practiced by descendents of African slaves in Sao Luis, an urban, socially stratified, and economically marginalized city in northeast Brazil. The first, Tambor de Mina, is part of a complex of African-based spirit-possession religions characterized by a unique organizational structure, ritual calendar, set of musical practices, and cosmological beliefs. The second, Cura , takes place within sacred enclosures of Tambor de Mina centers and is strongly influenced by Amazonian healing rituals (pajelanca) in which spirit-possession and participatory music-making figure prominently. The third, Tambor de Crioula, is a popular, street-based tradition, increasingly linked to tourism, and danced in honor of the black Catholic saint, Benedict the Moor. These traditions have many musical elements in common; others are particular to each. Music is a vital part of each tradition's identity and is the primary medium through which ritual action unfolds. It mediates spirit possession and human interactions and, in so doing, helps to affirm and create meaning while preserving or forging new social roles and relationships in contexts of historical continuity and change.","abstract_has_math":false,"creators":["Sandler, Patricia Joan"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"Music","degree_department":null,"school":null,"contributors":["Nettl, Bruno"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2015,"date_issued":"2015-09-25T22:53:05Z","date_published":"2015-09-25T22:53:05Z","updated_at":"2026-07-22T22:26:25Z","subjects":["Religion, General"],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["(MiAaPQ)AAI3070425"],"render_values":[{"text":"(MiAaPQ)AAI3070425","href":null,"code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/2142/85709","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Nettl, Bruno"]},{"key":"dc:creator","label":"Author","values":["Sandler, Patricia Joan"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2015-09-25T22:53:05Z","10000-01-01","2002"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Music"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Religion, General"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/85709","(MiAaPQ)AAI3070425"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["This dissertation describes and compares three musical-religious traditions practiced by descendents of African slaves in Sao Luis, an urban, socially stratified, and economically marginalized city in northeast Brazil. 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The first, Tambor de Mina, is part of a complex of African-based spirit-possession religions characterized by a unique organizational structure, ritual calendar, set of musical practices, and cosmological beliefs. The second, Cura , takes place within sacred enclosures of Tambor de Mina centers and is strongly influenced by Amazonian healing rituals (pajelanca) in which spirit-possession and participatory music-making figure prominently. The third, Tambor de Crioula, is a popular, street-based tradition, increasingly linked to tourism, and danced in honor of the black Catholic saint, Benedict the Moor. These traditions have many musical elements in common; others are particular to each. Music is a vital part of each tradition's identity and is the primary medium through which ritual action unfolds. 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