{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/85696"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/85696","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"The Quintet for Piano and Strings, Op. 67 by Amy Beach: An Historical and Analytical Investigation","abstract":"This dissertation is divided into seven sections: (1) a discussion of the need for the study, a review of related literature, a biographical sketch of the life of Amy Beach, and a discussion of Amy Beach as a pedagogue; (2) the cultural atmosphere surrounding women composers in America at the time of this piece's conception, along with a brief history of music in New England and the Second New England School; (3) a brief outline of the Quintet's place in the history of piano quintets, a survey of the Quintet's connection to the Brahms Piano Quintet, and a discussion of Beach's revisions to the manuscript; (4) a formal outline and analysis of movement one; (5) a formal outline and analysis of movement two; (6) a formal outline and analysis of movement three; and, (7) a summary of research findings and recommendations for further research. 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