{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/84752"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/84752","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Phallic/ies and Hi(s)stories: Masculinity and the Black Nationalist Tradition, From Slave Spirituals to Rap Music","abstract":"\"Therefore through an analysis of both lyrics and texts, \"\"Phallic/ies and His(s)tories: Masculinity and the Black Nationalist Tradition, from Slave Spirituals to Rap Music\"\" traces the unique---and ironic---survival and transformation of a literary political tradition initiated by the male members of an early nineteenth-century urban Black bourgeoisie into a politicized form of oral expression invented by the male members of a late twentieth-century urban Black \"\"underclass.\"\"\"","abstract_html":""Therefore through an analysis of both lyrics and texts, ""Phallic/ies and His(s)tories: Masculinity and the Black Nationalist Tradition, from Slave Spirituals to Rap Music"" traces the unique---and ironic---survival and transformation of a literary political tradition initiated by the male members of an early nineteenth-century urban Black bourgeoisie into a politicized form of oral expression invented by the male members of a late twentieth-century urban Black ""underclass."""","abstract_has_math":false,"creators":["Cheney, Charise L."],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"History","degree_department":null,"school":null,"contributors":["Anderson, James D."],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2015,"date_issued":"2015-09-25T22:24:26Z","date_published":"2015-09-25T22:24:26Z","updated_at":"2026-07-22T22:26:23Z","subjects":["Music"],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["(MiAaPQ)AAI9944819"],"render_values":[{"text":"(MiAaPQ)AAI9944819","href":null,"code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/2142/84752","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Anderson, James D."]},{"key":"dc:creator","label":"Author","values":["Cheney, Charise L."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2015-09-25T22:24:26Z","10000-01-01","1999"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["History"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Music"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/84752","(MiAaPQ)AAI9944819"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["\"Therefore through an analysis of both lyrics and texts, \"\"Phallic/ies and His(s)tories: Masculinity and the Black Nationalist Tradition, from Slave Spirituals to Rap Music\"\" traces the unique---and ironic---survival and transformation of a literary political tradition initiated by the male members of an early nineteenth-century urban Black bourgeoisie into a politicized form of oral expression invented by the male members of a late twentieth-century urban Black \"\"underclass.\"\"\"","Made available in DSpace on 2015-09-25T22:24:26Z (GMT). No. of bitstreams: 2 license.txt: 4848 bytes, checksum: 96035ab3f5e1c23cc7138a224ce498bd (MD5) 9944819.pdf: 11603695 bytes, checksum: e3ce253e997cf7a334e4b33a4f0ef422 (MD5) Previous issue date: 1999","Embargo set by: Seth Robbins for item 86033 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","U of I Only","170 p.","Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1999."]},{"key":"dc:title","label":"Title","values":["Phallic/ies and Hi(s)stories: Masculinity and the Black Nationalist Tradition, From Slave Spirituals to Rap Music"]}]}],"canonical_facts":{"dc:contributor":["Anderson, James D."],"dc:creator":["Cheney, Charise L."],"dc:date":["2015-09-25T22:24:26Z","10000-01-01","1999"],"dc:description":["\"Therefore through an analysis of both lyrics and texts, \"\"Phallic/ies and His(s)tories: Masculinity and the Black Nationalist Tradition, from Slave Spirituals to Rap Music\"\" traces the unique---and ironic---survival and transformation of a literary political tradition initiated by the male members of an early nineteenth-century urban Black bourgeoisie into a politicized form of oral expression invented by the male members of a late twentieth-century urban Black \"\"underclass.\"\"\"","Made available in DSpace on 2015-09-25T22:24:26Z (GMT). No. of bitstreams: 2 license.txt: 4848 bytes, checksum: 96035ab3f5e1c23cc7138a224ce498bd (MD5) 9944819.pdf: 11603695 bytes, checksum: e3ce253e997cf7a334e4b33a4f0ef422 (MD5) Previous issue date: 1999","Embargo set by: Seth Robbins for item 86033 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","U of I Only","170 p.","Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1999."],"dc:identifier":["http://hdl.handle.net/2142/84752","(MiAaPQ)AAI9944819"],"dc:language":["eng"],"dc:subject":["Music"],"dc:title":["Phallic/ies and Hi(s)stories: Masculinity and the Black Nationalist Tradition, From Slave Spirituals to Rap Music"],"dc:type":["text"],"thesis:degree_discipline":["History"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["Ph.D."],"thesis:institution_name":["University of Illinois at Urbana-Champaign"]},"updated_at":"2026-07-22T22:26:23Z"}