{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/81514"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/81514","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Uniting States: Narration, Space, and Nation in Four Nineteenth-Century American Travel Novels","abstract":"\"Since the birth of a self-consciously national literary tradition in the early republic, American writers have located American national identity within a dialectical spatial imaginary where ideologies of spatial transcendence compete with those of local authority and regional difference. \"\"Uniting States\"\" maps this spatial imaginary as it operates in four nineteenth-century domestic travel novels, tracing the grim fate of the local as a site of cultural authority and a category of national self-identity in Hugh Henry Brackenridge's Modern Chivalry (1792--1815), William A. Caruthers' The Kentuckian in New York (1834), Herman Melville's The Confidence-Man (1857), and Mark Twain's Adventures of Huckleberry Finn (1884). The writers I discuss found in the picaresque's geographic scope, formal expansiveness, and textual fluidity a metaphor for a spatially expanding and socially fluid nation, and the models of narrative and national authority that emerge in their novels signal the local's increasingly diminished reputation in the nation's imagined community.\"","abstract_html":""Since the birth of a self-consciously national literary tradition in the early republic, American writers have located American national identity within a dialectical spatial imaginary where ideologies of spatial transcendence compete with those of local authority and regional difference. ""Uniting States"" maps this spatial imaginary as it operates in four nineteenth-century domestic travel novels, tracing the grim fate of the local as a site of cultural authority and a category of national self-identity in Hugh Henry Brackenridge's Modern Chivalry (1792--1815), William A. Caruthers' The Kentuckian in New York (1834), Herman Melville's The Confidence-Man (1857), and Mark Twain's Adventures of Huckleberry Finn (1884). The writers I discuss found in the picaresque's geographic scope, formal expansiveness, and textual fluidity a metaphor for a spatially expanding and socially fluid nation, and the models of narrative and national authority that emerge in their novels signal the local's increasingly diminished reputation in the nation's imagined community."","abstract_has_math":false,"creators":["Hurt, Matthew Joseph"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"English","degree_department":null,"school":null,"contributors":["Parker, Robert Dale"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2015,"date_issued":"2015-09-25T20:15:52Z","date_published":"2015-09-25T20:15:52Z","updated_at":"2026-07-22T22:26:16Z","subjects":["Literature, American"],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["(MiAaPQ)AAI9990025"],"render_values":[{"text":"(MiAaPQ)AAI9990025","href":null,"code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/2142/81514","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Parker, Robert Dale"]},{"key":"dc:creator","label":"Author","values":["Hurt, Matthew Joseph"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2015-09-25T20:15:52Z","10000-01-01","2000"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Literature, American"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/81514","(MiAaPQ)AAI9990025"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["\"Since the birth of a self-consciously national literary tradition in the early republic, American writers have located American national identity within a dialectical spatial imaginary where ideologies of spatial transcendence compete with those of local authority and regional difference. \"\"Uniting States\"\" maps this spatial imaginary as it operates in four nineteenth-century domestic travel novels, tracing the grim fate of the local as a site of cultural authority and a category of national self-identity in Hugh Henry Brackenridge's Modern Chivalry (1792--1815), William A. Caruthers' The Kentuckian in New York (1834), Herman Melville's The Confidence-Man (1857), and Mark Twain's Adventures of Huckleberry Finn (1884). The writers I discuss found in the picaresque's geographic scope, formal expansiveness, and textual fluidity a metaphor for a spatially expanding and socially fluid nation, and the models of narrative and national authority that emerge in their novels signal the local's increasingly diminished reputation in the nation's imagined community.\"","Made available in DSpace on 2015-09-25T20:15:52Z (GMT). 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Caruthers' The Kentuckian in New York (1834), Herman Melville's The Confidence-Man (1857), and Mark Twain's Adventures of Huckleberry Finn (1884). The writers I discuss found in the picaresque's geographic scope, formal expansiveness, and textual fluidity a metaphor for a spatially expanding and socially fluid nation, and the models of narrative and national authority that emerge in their novels signal the local's increasingly diminished reputation in the nation's imagined community.\"","Made available in DSpace on 2015-09-25T20:15:52Z (GMT). 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