{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/81472"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/81472","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"James Joyce, Music, and Narrative","abstract":"\"My dissertation reevaluates the function of music in James Joyce's major prose works. Previous scholarship from Matthew Hodgart and Mabel Worthington's landmark Songs in the Works of James Joyce (1959), to Zack Bowen's Musical Allusions in the Works of James Joyce (1974), and Ruth Bauerle's Picking up Airs (1993), have concentrated primarily on identifying the hundreds of allusions to popular and operatic songs in Joyce's fictions. My work leans heavily on this research and expands this approach in two ways. First, I see music in the texts as performing a narrative function. The character's reactions to music being played or sung represents a momentary pause in the narrative action similar to the concept of \"\"stretch\"\" outlined by Seymour Chatman. Second, I examine this scene in the context of the text in which it appears: who is performing? who is listening? where is the performance taking place? This dramatic reading of the musical scene in the fiction highlights the relationship between the musical text and the culture.\"","abstract_html":""My dissertation reevaluates the function of music in James Joyce's major prose works. Previous scholarship from Matthew Hodgart and Mabel Worthington's landmark Songs in the Works of James Joyce (1959), to Zack Bowen's Musical Allusions in the Works of James Joyce (1974), and Ruth Bauerle's Picking up Airs (1993), have concentrated primarily on identifying the hundreds of allusions to popular and operatic songs in Joyce's fictions. My work leans heavily on this research and expands this approach in two ways. First, I see music in the texts as performing a narrative function. The character's reactions to music being played or sung represents a momentary pause in the narrative action similar to the concept of ""stretch"" outlined by Seymour Chatman. Second, I examine this scene in the context of the text in which it appears: who is performing? who is listening? where is the performance taking place? This dramatic reading of the musical scene in the fiction highlights the relationship between the musical text and the culture."","abstract_has_math":false,"creators":["Reilly, Seamus Joseph"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"English","degree_department":null,"school":null,"contributors":["James Hurt"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2015,"date_issued":"2015-09-25T20:15:33Z","date_published":"2015-09-25T20:15:33Z","updated_at":"2026-07-22T22:26:16Z","subjects":["Literature, English"],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["(MiAaPQ)AAI9737232"],"render_values":[{"text":"(MiAaPQ)AAI9737232","href":null,"code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/2142/81472","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["James Hurt"]},{"key":"dc:creator","label":"Author","values":["Reilly, Seamus Joseph"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2015-09-25T20:15:33Z","10000-01-01","1997"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Literature, English"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/81472","(MiAaPQ)AAI9737232"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["\"My dissertation reevaluates the function of music in James Joyce's major prose works. Previous scholarship from Matthew Hodgart and Mabel Worthington's landmark Songs in the Works of James Joyce (1959), to Zack Bowen's Musical Allusions in the Works of James Joyce (1974), and Ruth Bauerle's Picking up Airs (1993), have concentrated primarily on identifying the hundreds of allusions to popular and operatic songs in Joyce's fictions. My work leans heavily on this research and expands this approach in two ways. First, I see music in the texts as performing a narrative function. The character's reactions to music being played or sung represents a momentary pause in the narrative action similar to the concept of \"\"stretch\"\" outlined by Seymour Chatman. Second, I examine this scene in the context of the text in which it appears: who is performing? who is listening? where is the performance taking place? This dramatic reading of the musical scene in the fiction highlights the relationship between the musical text and the culture.\"","Made available in DSpace on 2015-09-25T20:15:33Z (GMT). No. of bitstreams: 2 license.txt: 4848 bytes, checksum: 96035ab3f5e1c23cc7138a224ce498bd (MD5) 9737232.pdf: 9914943 bytes, checksum: 5d9fbd28284e04c56da69d36eecfc8ba (MD5) Previous issue date: 1997","Embargo set by: Seth Robbins for item 82753 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","U of I Only","215 p.","Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1997."]},{"key":"dc:title","label":"Title","values":["James Joyce, Music, and Narrative"]}]}],"canonical_facts":{"dc:contributor":["James Hurt"],"dc:creator":["Reilly, Seamus Joseph"],"dc:date":["2015-09-25T20:15:33Z","10000-01-01","1997"],"dc:description":["\"My dissertation reevaluates the function of music in James Joyce's major prose works. Previous scholarship from Matthew Hodgart and Mabel Worthington's landmark Songs in the Works of James Joyce (1959), to Zack Bowen's Musical Allusions in the Works of James Joyce (1974), and Ruth Bauerle's Picking up Airs (1993), have concentrated primarily on identifying the hundreds of allusions to popular and operatic songs in Joyce's fictions. My work leans heavily on this research and expands this approach in two ways. First, I see music in the texts as performing a narrative function. The character's reactions to music being played or sung represents a momentary pause in the narrative action similar to the concept of \"\"stretch\"\" outlined by Seymour Chatman. Second, I examine this scene in the context of the text in which it appears: who is performing? who is listening? where is the performance taking place? This dramatic reading of the musical scene in the fiction highlights the relationship between the musical text and the culture.\"","Made available in DSpace on 2015-09-25T20:15:33Z (GMT). No. of bitstreams: 2 license.txt: 4848 bytes, checksum: 96035ab3f5e1c23cc7138a224ce498bd (MD5) 9737232.pdf: 9914943 bytes, checksum: 5d9fbd28284e04c56da69d36eecfc8ba (MD5) Previous issue date: 1997","Embargo set by: Seth Robbins for item 82753 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","U of I Only","215 p.","Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1997."],"dc:identifier":["http://hdl.handle.net/2142/81472","(MiAaPQ)AAI9737232"],"dc:language":["eng"],"dc:subject":["Literature, English"],"dc:title":["James Joyce, Music, and Narrative"],"dc:type":["text"],"thesis:degree_discipline":["English"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["Ph.D."],"thesis:institution_name":["University of Illinois at Urbana-Champaign"]},"updated_at":"2026-07-22T22:26:16Z"}