{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/81466"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/81466","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Selling Out: The American Literary Market Place and the Modernist Novel","abstract":"\"\"\"Selling Out: The American Literary Marketplace and the Modernist Novel\"\" re&shy;examines the \"\"modernist author\"\" we think we know by rereading how four American authors, F. Scott Fitzgerald, Ernest Hemingway, Kay Boyle, and William Faulkner deliberately tried to create a literary reputation through both their success in commercial publishing and their resistance to it. I do not so much refute the difference between elite and mass culture, but instead show how even in their fictionality, those very categories inform the very structure of how we understand the categories of the author, the book, and of modernism itself.\"","abstract_html":"&quot;&quot;&quot;Selling Out: The American Literary Marketplace and the Modernist Novel&quot;&quot; re&amp;shy;examines the &quot;&quot;modernist author&quot;&quot; we think we know by rereading how four American authors, F. Scott Fitzgerald, Ernest Hemingway, Kay Boyle, and William Faulkner deliberately tried to create a literary reputation through both their success in commercial publishing and their resistance to it. I do not so much refute the difference between elite and mass culture, but instead show how even in their fictionality, those very categories inform the very structure of how we understand the categories of the author, the book, and of modernism itself.&quot;","abstract_has_math":false,"creators":["Dunick, Lisa Marie Schifano"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"English","degree_department":null,"school":null,"contributors":["Foote, Stephanie"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2015,"date_issued":"2015-09-25T20:15:30Z","date_published":"2015-09-25T20:15:30Z","updated_at":"2026-07-22T22:26:16Z","subjects":["Literature, American"],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["(MiAaPQ)AAI3430856"],"render_values":[{"text":"(MiAaPQ)AAI3430856","href":null,"code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/2142/81466","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Foote, Stephanie"]},{"key":"dc:creator","label":"Author","values":["Dunick, Lisa Marie Schifano"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2015-09-25T20:15:30Z","10000-01-01","2010"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Literature, American"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/81466","(MiAaPQ)AAI3430856"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["\"\"\"Selling Out: The American Literary Marketplace and the Modernist Novel\"\" re&shy;examines the \"\"modernist author\"\" we think we know by rereading how four American authors, F. 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