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Through divergent styles, Progressive-era realists such as Jane Addams and Willa Cather, Afro-Modernist bohemians like Wallace Thurman and Richard Bruce Nugent, and transatlantic Anglo-American Modernists such as Carl Van Vechten and Djuna Barnes renovate a genre traditionally dedicated to sexual surveillance and categorization. Together these writers question the value of an identifiable homosexual identity and subculture while they simultaneously confirm and interrogate developing racial-ethnic identities, thereby illuminating how a minor genre has significant cultural ramifications for developing notions of visibility and invisibility in modern U.S. literary public spheres.\"","abstract_html":""Though the slumming narrative is a minor literary genre that typically uncovers and classifies urban racial-ethnic and sexual ""perversions,"" ""Incognitos"" contends that some sexually suspect early-twentieth-century writers---white and Black---manipulated its form to avoid sexual exposure and to challenge developing constructions of sexuality in modern America. Through divergent styles, Progressive-era realists such as Jane Addams and Willa Cather, Afro-Modernist bohemians like Wallace Thurman and Richard Bruce Nugent, and transatlantic Anglo-American Modernists such as Carl Van Vechten and Djuna Barnes renovate a genre traditionally dedicated to sexual surveillance and categorization. Together these writers question the value of an identifiable homosexual identity and subculture while they simultaneously confirm and interrogate developing racial-ethnic identities, thereby illuminating how a minor genre has significant cultural ramifications for developing notions of visibility and invisibility in modern U.S. literary public spheres."","abstract_has_math":false,"creators":["Herring, Terrell Scott"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"English","degree_department":null,"school":null,"contributors":["Tim Dean"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2015,"date_issued":"2015-09-25T20:15:08Z","date_published":"2015-09-25T20:15:08Z","updated_at":"2026-07-22T22:26:16Z","subjects":["American Studies"],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["(MiAaPQ)AAI3130934"],"render_values":[{"text":"(MiAaPQ)AAI3130934","href":null,"code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/2142/81401","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Tim Dean"]},{"key":"dc:creator","label":"Author","values":["Herring, Terrell Scott"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2015-09-25T20:15:08Z","10000-01-01","2004"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["American Studies"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/81401","(MiAaPQ)AAI3130934"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["\"Though the slumming narrative is a minor literary genre that typically uncovers and classifies urban racial-ethnic and sexual \"\"perversions,\"\" \"\"Incognitos\"\" contends that some sexually suspect early-twentieth-century writers---white and Black---manipulated its form to avoid sexual exposure and to challenge developing constructions of sexuality in modern America. 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