{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/81376"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/81376","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Urban Industry and Literary Work: The Construction of Authorship in the Victorian Social -Problem Novel, 1845--1866","abstract":"\"This dissertation analyzes Victorian social-problem novels as products of an urban, industrial literary culture. Challenging the genre's reputation as a prominently mimetic endeavor of middle-class observers, I argue that the writers I address considered themselves \"\"authors\"\" immersed in literary practices and professions. Victorian social-problem novels were particularly responsive to the popular markets that made fiction an outlet for social influence. This genre's investment in the efficacy and circulation of fiction provided aspiring and established authors alike with a heightened awareness of the social and economic contexts for their work. Re-contextualizing this genre within the culture of literary production, I argue, allows us to consider Victorian writers' conceptions of themselves as a part of urban industry; to place writing within nineteenth-century debates about the status of labor and profession; and to recuperate social-problem fiction's specifically literary ties and ambitions. This dissertation focuses on Sybil (1845) by Benjamin Disraeli, Mary Barton (1848) and North and South (1855) by Elizabeth Gaskell, Alton Locke (1850) by Charles Kingsley, Hard Times (1854) by Charles Dickens, and Felix Holt (1866) George Eliot. Individual chapters analyze writers' attempts to project narrative into the heart of urban scenes and labor conflicts. This dissertation accordingly reframes critical accounts of social-problem fiction as a product of the \"\"hungry forties,\"\" acknowledging authors' extra-literary aspirations for fiction while recognizing how these texts helped shape popular conceptions of what \"\"the literary\"\" was and what it could do.\"","abstract_html":""This dissertation analyzes Victorian social-problem novels as products of an urban, industrial literary culture. Challenging the genre's reputation as a prominently mimetic endeavor of middle-class observers, I argue that the writers I address considered themselves ""authors"" immersed in literary practices and professions. Victorian social-problem novels were particularly responsive to the popular markets that made fiction an outlet for social influence. This genre's investment in the efficacy and circulation of fiction provided aspiring and established authors alike with a heightened awareness of the social and economic contexts for their work. Re-contextualizing this genre within the culture of literary production, I argue, allows us to consider Victorian writers' conceptions of themselves as a part of urban industry; to place writing within nineteenth-century debates about the status of labor and profession; and to recuperate social-problem fiction's specifically literary ties and ambitions. This dissertation focuses on Sybil (1845) by Benjamin Disraeli, Mary Barton (1848) and North and South (1855) by Elizabeth Gaskell, Alton Locke (1850) by Charles Kingsley, Hard Times (1854) by Charles Dickens, and Felix Holt (1866) George Eliot. Individual chapters analyze writers' attempts to project narrative into the heart of urban scenes and labor conflicts. This dissertation accordingly reframes critical accounts of social-problem fiction as a product of the ""hungry forties,"" acknowledging authors' extra-literary aspirations for fiction while recognizing how these texts helped shape popular conceptions of what ""the literary"" was and what it could do."","abstract_has_math":false,"creators":["Starr, Elizabeth Ann"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"English","degree_department":null,"school":null,"contributors":["Anderson, Amanda"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2015,"date_issued":"2015-09-25T20:14:53Z","date_published":"2015-09-25T20:14:53Z","updated_at":"2026-07-22T22:26:16Z","subjects":["Literature, English"],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["(MiAaPQ)AAI3017219"],"render_values":[{"text":"(MiAaPQ)AAI3017219","href":null,"code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/2142/81376","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Anderson, Amanda"]},{"key":"dc:creator","label":"Author","values":["Starr, Elizabeth Ann"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2015-09-25T20:14:53Z","10000-01-01","2001"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Literature, English"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/81376","(MiAaPQ)AAI3017219"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["\"This dissertation analyzes Victorian social-problem novels as products of an urban, industrial literary culture. 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This dissertation focuses on Sybil (1845) by Benjamin Disraeli, Mary Barton (1848) and North and South (1855) by Elizabeth Gaskell, Alton Locke (1850) by Charles Kingsley, Hard Times (1854) by Charles Dickens, and Felix Holt (1866) George Eliot. Individual chapters analyze writers' attempts to project narrative into the heart of urban scenes and labor conflicts. This dissertation accordingly reframes critical accounts of social-problem fiction as a product of the \"\"hungry forties,\"\" acknowledging authors' extra-literary aspirations for fiction while recognizing how these texts helped shape popular conceptions of what \"\"the literary\"\" was and what it could do.\"","Made available in DSpace on 2015-09-25T20:14:53Z (GMT). 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Challenging the genre's reputation as a prominently mimetic endeavor of middle-class observers, I argue that the writers I address considered themselves \"\"authors\"\" immersed in literary practices and professions. Victorian social-problem novels were particularly responsive to the popular markets that made fiction an outlet for social influence. This genre's investment in the efficacy and circulation of fiction provided aspiring and established authors alike with a heightened awareness of the social and economic contexts for their work. Re-contextualizing this genre within the culture of literary production, I argue, allows us to consider Victorian writers' conceptions of themselves as a part of urban industry; to place writing within nineteenth-century debates about the status of labor and profession; and to recuperate social-problem fiction's specifically literary ties and ambitions. This dissertation focuses on Sybil (1845) by Benjamin Disraeli, Mary Barton (1848) and North and South (1855) by Elizabeth Gaskell, Alton Locke (1850) by Charles Kingsley, Hard Times (1854) by Charles Dickens, and Felix Holt (1866) George Eliot. Individual chapters analyze writers' attempts to project narrative into the heart of urban scenes and labor conflicts. This dissertation accordingly reframes critical accounts of social-problem fiction as a product of the \"\"hungry forties,\"\" acknowledging authors' extra-literary aspirations for fiction while recognizing how these texts helped shape popular conceptions of what \"\"the literary\"\" was and what it could do.\"","Made available in DSpace on 2015-09-25T20:14:53Z (GMT). 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