{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/78623"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/78623","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"A study of Britten's unaccompanied choral cycles: A Boy Was Born (1933), A.M.D.G. 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No. of bitstreams: 2 STIRLING-DISSERTATION-2015.pdf: 27858654 bytes, checksum: 3b19944f0d17ff43d69daf1938bde7db (MD5) LICENSE.txt: 4215 bytes, checksum: 1b8a4006bf01ba0b9a9f6a61f44decd9 (MD5) Previous issue date: 2015-04-20","Embargo set by: Seth Robbins for item 79864 Lift date: 2017-07-22T22:34:16Z Reason: Author requested U of Illinois access only (OA after 2yrs) in Vireo ETD system","U of I Only Restriction Lifted for Item 79864 on 2017-07-23T09:15:24Z.","One of the most prolific composers of vocal music in the twentieth century, Benjamin Britten, emancipated British choral music from the grip of nineteenth century traditions. This study focuses on the four unaccompanied choral cycles, A Boy Was Born, A.M.D.G., The Five Flower Songs and Sacred and Profane, and examines Britten’s contribution to the partsong genre. A Boy Was Born, written when Britten was only nineteen, was a blueprint for other choral works that he would write throughout his lifetime and arguably the most accomplished unaccompanied choral work that he ever composed. Through a thorough analysis of each of the cycles I identify the consistencies of Britten’s compositional approach, his unique treatment of the text and consider how these pieces connect to each other within their own collections.","Submission published under a 24 month embargo labeled 'U of I only', the embargo will last until 2017-05-01","The student, Christian Stirling, accepted the attached license on 2015-04-16 at 10:57.","The student, Christian Stirling, submitted this Dissertation for approval on 2015-04-16 at 11:10.","This Dissertation was approved for publication on 2015-04-20 at 11:23."]},{"key":"dc:format","label":"Dc Format","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["A study of Britten's unaccompanied choral cycles: A Boy Was Born (1933), A.M.D.G. 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No. of bitstreams: 2 STIRLING-DISSERTATION-2015.pdf: 27858654 bytes, checksum: 3b19944f0d17ff43d69daf1938bde7db (MD5) LICENSE.txt: 4215 bytes, checksum: 1b8a4006bf01ba0b9a9f6a61f44decd9 (MD5) Previous issue date: 2015-04-20","Embargo set by: Seth Robbins for item 79864 Lift date: 2017-07-22T22:34:16Z Reason: Author requested U of Illinois access only (OA after 2yrs) in Vireo ETD system","U of I Only Restriction Lifted for Item 79864 on 2017-07-23T09:15:24Z.","One of the most prolific composers of vocal music in the twentieth century, Benjamin Britten, emancipated British choral music from the grip of nineteenth century traditions. This study focuses on the four unaccompanied choral cycles, A Boy Was Born, A.M.D.G., The Five Flower Songs and Sacred and Profane, and examines Britten’s contribution to the partsong genre. A Boy Was Born, written when Britten was only nineteen, was a blueprint for other choral works that he would write throughout his lifetime and arguably the most accomplished unaccompanied choral work that he ever composed. Through a thorough analysis of each of the cycles I identify the consistencies of Britten’s compositional approach, his unique treatment of the text and consider how these pieces connect to each other within their own collections.","Submission published under a 24 month embargo labeled 'U of I only', the embargo will last until 2017-05-01","The student, Christian Stirling, accepted the attached license on 2015-04-16 at 10:57.","The student, Christian Stirling, submitted this Dissertation for approval on 2015-04-16 at 11:10.","This Dissertation was approved for publication on 2015-04-20 at 11:23."],"dc:format":["application/pdf"],"dc:identifier":["http://hdl.handle.net/2142/78623"],"dc:language":["en"],"dc:rights":["Copyright 2015 Christian Stirling"],"dc:subject":["Britten","Choral"],"dc:title":["A study of Britten's unaccompanied choral cycles: A Boy Was Born (1933), A.M.D.G. (1939), The Five Flower Songs (1951), Sacred and Profane (1975)"],"dc:type":["text"],"thesis:degree_discipline":["Music"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["A.Mus.D."],"thesis:institution_name":["University of Illinois at Urbana-Champaign"]},"updated_at":"2026-07-22T22:26:12Z"}