{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/72581"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/72581","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Citizenship by Design: Art and Identity in the Early Republic","abstract":"This dissertation offers a study of the ways in which some artists active in the United States between 1790 and 1850 theorized that their work could participate in the process of creating and shaping the nation's citizens. Through the detailed analysis of four artists---Benjamin Henry Latrobe (1764-1820), Charles Willson Peale (1741-1827), Thomas Cole (1801-1848), and Horatio Greenough (1805-1852)---this project explores a process of citizenship by design theorized by these artists, a process which grew out of their belief that the physical environment could directly shape the character of its inhabitants. Buildings, landscapes, paintings, and sculptures were, for these artists, the means by which the moral and social precepts of democracy could be communicated most effectively to the public. Building on a long tradition of European aesthetic theory, these artists believed that through the process of perception such material objects could influence the mind and character of viewers. In short, I argue that by creating paintings, sculptures, landscapes and buildings, these artists believed that they were also crafting citizens.","abstract_html":"This dissertation offers a study of the ways in which some artists active in the United States between 1790 and 1850 theorized that their work could participate in the process of creating and shaping the nation's citizens. Through the detailed analysis of four artists---Benjamin Henry Latrobe (1764-1820), Charles Willson Peale (1741-1827), Thomas Cole (1801-1848), and Horatio Greenough (1805-1852)---this project explores a process of citizenship by design theorized by these artists, a process which grew out of their belief that the physical environment could directly shape the character of its inhabitants. Buildings, landscapes, paintings, and sculptures were, for these artists, the means by which the moral and social precepts of democracy could be communicated most effectively to the public. Building on a long tradition of European aesthetic theory, these artists believed that through the process of perception such material objects could influence the mind and character of viewers. In short, I argue that by creating paintings, sculptures, landscapes and buildings, these artists believed that they were also crafting citizens.","abstract_has_math":false,"creators":["Sienkewicz, Julia A."],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"Art History","degree_department":null,"school":null,"contributors":["Kruty, Paul S.,"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2014,"date_issued":"2014-12-17T23:35:19Z","date_published":"2014-12-17T23:35:19Z","updated_at":"2026-07-22T22:26:07Z","subjects":["History, United States","Art History","Landscape Architecture","Architecture"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["(UMI)AAI3392475"],"render_values":[{"text":"(UMI)AAI3392475","href":null,"code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/2142/72581","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Kruty, Paul S.,"]},{"key":"dc:creator","label":"Author","values":["Sienkewicz, Julia A."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2014-12-17T23:35:19Z","10000-01-01","2009"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Art History"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["History, United States","Art History","Landscape Architecture","Architecture"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/72581","(UMI)AAI3392475"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["This dissertation offers a study of the ways in which some artists active in the United States between 1790 and 1850 theorized that their work could participate in the process of creating and shaping the nation's citizens. Through the detailed analysis of four artists---Benjamin Henry Latrobe (1764-1820), Charles Willson Peale (1741-1827), Thomas Cole (1801-1848), and Horatio Greenough (1805-1852)---this project explores a process of citizenship by design theorized by these artists, a process which grew out of their belief that the physical environment could directly shape the character of its inhabitants. Buildings, landscapes, paintings, and sculptures were, for these artists, the means by which the moral and social precepts of democracy could be communicated most effectively to the public. Building on a long tradition of European aesthetic theory, these artists believed that through the process of perception such material objects could influence the mind and character of viewers. In short, I argue that by creating paintings, sculptures, landscapes and buildings, these artists believed that they were also crafting citizens.","Made available in DSpace on 2014-12-17T23:35:19Z (GMT). No. of bitstreams: 1 3392475.pdf: 8693498 bytes, checksum: 1078f8f290a901a4bce626aa573c7038 (MD5) Previous issue date: 2009","Embargo set by: Seth Robbins for item 72749 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","U of I Only","520 p.","Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2009."]},{"key":"dc:title","label":"Title","values":["Citizenship by Design: Art and Identity in the Early Republic"]}]}],"canonical_facts":{"dc:contributor":["Kruty, Paul S.,"],"dc:creator":["Sienkewicz, Julia A."],"dc:date":["2014-12-17T23:35:19Z","10000-01-01","2009"],"dc:description":["This dissertation offers a study of the ways in which some artists active in the United States between 1790 and 1850 theorized that their work could participate in the process of creating and shaping the nation's citizens. Through the detailed analysis of four artists---Benjamin Henry Latrobe (1764-1820), Charles Willson Peale (1741-1827), Thomas Cole (1801-1848), and Horatio Greenough (1805-1852)---this project explores a process of citizenship by design theorized by these artists, a process which grew out of their belief that the physical environment could directly shape the character of its inhabitants. Buildings, landscapes, paintings, and sculptures were, for these artists, the means by which the moral and social precepts of democracy could be communicated most effectively to the public. Building on a long tradition of European aesthetic theory, these artists believed that through the process of perception such material objects could influence the mind and character of viewers. In short, I argue that by creating paintings, sculptures, landscapes and buildings, these artists believed that they were also crafting citizens.","Made available in DSpace on 2014-12-17T23:35:19Z (GMT). No. of bitstreams: 1 3392475.pdf: 8693498 bytes, checksum: 1078f8f290a901a4bce626aa573c7038 (MD5) Previous issue date: 2009","Embargo set by: Seth Robbins for item 72749 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","U of I Only","520 p.","Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2009."],"dc:identifier":["http://hdl.handle.net/2142/72581","(UMI)AAI3392475"],"dc:subject":["History, United States","Art History","Landscape Architecture","Architecture"],"dc:title":["Citizenship by Design: Art and Identity in the Early Republic"],"dc:type":["text"],"thesis:degree_discipline":["Art History"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["Ph.D."],"thesis:institution_name":["University of Illinois at Urbana-Champaign"]},"updated_at":"2026-07-22T22:26:07Z"}