{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/72571"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/72571","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Tragedy With a Vengeance: Violence, Vengeance and Identity From Attic Tragedy to Shakespeare","abstract":"This project explores the relation between violence and identity along one branch of the Western tragic tradition---from its roots in the soil of classical Attica, through Senecan tragedy, and into early modern drama in English. Classical and early modern tragedy is seductive in its sophisticated, savage portrayals of the relations between violence and who we are as human beings. In this study I explore these relations from a perspective that is both diachronic and psychoanalytic. My central argument is that throughout this tradition, violence defines identity.","abstract_html":"This project explores the relation between violence and identity along one branch of the Western tragic tradition---from its roots in the soil of classical Attica, through Senecan tragedy, and into early modern drama in English. Classical and early modern tragedy is seductive in its sophisticated, savage portrayals of the relations between violence and who we are as human beings. In this study I explore these relations from a perspective that is both diachronic and psychoanalytic. My central argument is that throughout this tradition, violence defines identity.","abstract_has_math":false,"creators":["Dodson-Robinson, Eric Andrew"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"Comparative and World Literature","degree_department":null,"school":null,"contributors":["Blake, Nancy"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2014,"date_issued":"2014-12-17T23:29:23Z","date_published":"2014-12-17T23:29:23Z","updated_at":"2026-07-22T22:26:07Z","subjects":["Literature, Classical","Literature, Comparative","Theater","Literature, English"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["(UMI)AAI3362770"],"render_values":[{"text":"(UMI)AAI3362770","href":null,"code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/2142/72571","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Blake, Nancy"]},{"key":"dc:creator","label":"Author","values":["Dodson-Robinson, Eric Andrew"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2014-12-17T23:29:23Z","10000-01-01","2009"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Comparative and World Literature"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Literature, Classical","Literature, Comparative","Theater","Literature, English"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/72571","(UMI)AAI3362770"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["This project explores the relation between violence and identity along one branch of the Western tragic tradition---from its roots in the soil of classical Attica, through Senecan tragedy, and into early modern drama in English. Classical and early modern tragedy is seductive in its sophisticated, savage portrayals of the relations between violence and who we are as human beings. In this study I explore these relations from a perspective that is both diachronic and psychoanalytic. My central argument is that throughout this tradition, violence defines identity.","My study engages with two important controversies: one is the question of the Western dramatic tradition: does such a tradition exist? If so, what are its continuities and discontinuities? The second is the validity of psychoanalytic readings of classical and early modern works and culture. I repeatedly argue against previous psychoanalytic readings of early modern and classical tragedy, but my approach throughout this work does more than dispute established interpretations of specific plays: what I challenge here is the psychoanalytic methodology of reading tragedy in terms of intrasubjective conflicts and logic: that is of reading the action on stage as an exclusively internal conflict between reason and passion or id and ego.","Lacanian theory was essential to this project, but equally essential was a determination to explore the tragedies comparatively and on their own terms in light of the vast cultural, dramaturgical, and axiological differences between Athens of the fifth-century BCE, Seneca's Rome, and Elizabethan London. Accordingly, questions of reception, tradition, and 'influence' are implicit in this study, the central object of which is the relation between violence and the construction of the self. Throughout this work I emphasize questions about violence and hereditary identity; the relation between violence, agency, and the divine order; the repetition of violence and retribution, and the roles of the other and of the social order in violence.","Made available in DSpace on 2014-12-17T23:29:23Z (GMT). No. of bitstreams: 1 3362770.pdf: 8926718 bytes, checksum: adae14cd13a143dbf042917392a4eb8f (MD5) Previous issue date: 2009","Embargo set by: Seth Robbins for item 72739 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","U of I Only","226 p.","Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2009."]},{"key":"dc:title","label":"Title","values":["Tragedy With a Vengeance: Violence, Vengeance and Identity From Attic Tragedy to Shakespeare"]}]}],"canonical_facts":{"dc:contributor":["Blake, Nancy"],"dc:creator":["Dodson-Robinson, Eric Andrew"],"dc:date":["2014-12-17T23:29:23Z","10000-01-01","2009"],"dc:description":["This project explores the relation between violence and identity along one branch of the Western tragic tradition---from its roots in the soil of classical Attica, through Senecan tragedy, and into early modern drama in English. Classical and early modern tragedy is seductive in its sophisticated, savage portrayals of the relations between violence and who we are as human beings. In this study I explore these relations from a perspective that is both diachronic and psychoanalytic. My central argument is that throughout this tradition, violence defines identity.","My study engages with two important controversies: one is the question of the Western dramatic tradition: does such a tradition exist? If so, what are its continuities and discontinuities? The second is the validity of psychoanalytic readings of classical and early modern works and culture. I repeatedly argue against previous psychoanalytic readings of early modern and classical tragedy, but my approach throughout this work does more than dispute established interpretations of specific plays: what I challenge here is the psychoanalytic methodology of reading tragedy in terms of intrasubjective conflicts and logic: that is of reading the action on stage as an exclusively internal conflict between reason and passion or id and ego.","Lacanian theory was essential to this project, but equally essential was a determination to explore the tragedies comparatively and on their own terms in light of the vast cultural, dramaturgical, and axiological differences between Athens of the fifth-century BCE, Seneca's Rome, and Elizabethan London. Accordingly, questions of reception, tradition, and 'influence' are implicit in this study, the central object of which is the relation between violence and the construction of the self. Throughout this work I emphasize questions about violence and hereditary identity; the relation between violence, agency, and the divine order; the repetition of violence and retribution, and the roles of the other and of the social order in violence.","Made available in DSpace on 2014-12-17T23:29:23Z (GMT). No. of bitstreams: 1 3362770.pdf: 8926718 bytes, checksum: adae14cd13a143dbf042917392a4eb8f (MD5) Previous issue date: 2009","Embargo set by: Seth Robbins for item 72739 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","U of I Only","226 p.","Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2009."],"dc:identifier":["http://hdl.handle.net/2142/72571","(UMI)AAI3362770"],"dc:subject":["Literature, Classical","Literature, Comparative","Theater","Literature, English"],"dc:title":["Tragedy With a Vengeance: Violence, Vengeance and Identity From Attic Tragedy to Shakespeare"],"dc:type":["text"],"thesis:degree_discipline":["Comparative and World Literature"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["Ph.D."],"thesis:institution_name":["University of Illinois at Urbana-Champaign"]},"updated_at":"2026-07-22T22:26:07Z"}