{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/72499"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/72499","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Deconstructing Michael Jordan: Popular Culture, Politics, and Postmodern America","abstract":"Michael Jordan is one of the most socially and culturally significant figures within late twentieth century America. Despite his current ubiquity in the diverse networks of the popular media, Jordan has largely been neglected by critical cultural analysts. In redressing what is clearly a serious oversight in contemporary cultural understanding, this dissertation provides a critical deconstruction of Jordan's place within a postmodern America dominated by mediated images. This substantive project is realized through the formulation of a synthesis between cultural studies and Jean Baudrillard's implosive postmodernism. Establishing such an interpretive space exhumes an innovative framework for deciphering Jordan's relationship to the techno-discursive vectors of Reaganism. Appropriated by Nike, and a multitude of other promotional interests, these reactionary cultural logics enveloped Jordan and molded him into an All-American commodity-sign which reinforced the fatalistic racial indifference of the New Right. Having deconstructed Jordan's position and influence upon the experiencing of everyday life in contemporary America, the dissertation concludes by pointing toward the problematics that need to be addressed in order to formulate a more politically progressive reading of Michael Jordan.","abstract_html":"Michael Jordan is one of the most socially and culturally significant figures within late twentieth century America. Despite his current ubiquity in the diverse networks of the popular media, Jordan has largely been neglected by critical cultural analysts. In redressing what is clearly a serious oversight in contemporary cultural understanding, this dissertation provides a critical deconstruction of Jordan's place within a postmodern America dominated by mediated images. This substantive project is realized through the formulation of a synthesis between cultural studies and Jean Baudrillard's implosive postmodernism. Establishing such an interpretive space exhumes an innovative framework for deciphering Jordan's relationship to the techno-discursive vectors of Reaganism. Appropriated by Nike, and a multitude of other promotional interests, these reactionary cultural logics enveloped Jordan and molded him into an All-American commodity-sign which reinforced the fatalistic racial indifference of the New Right. Having deconstructed Jordan's position and influence upon the experiencing of everyday life in contemporary America, the dissertation concludes by pointing toward the problematics that need to be addressed in order to formulate a more politically progressive reading of Michael Jordan.","abstract_has_math":false,"creators":["Andrews, David Lawrence"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"Kinesiology","degree_department":null,"school":null,"contributors":["Denzin, Norman K."],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2014,"date_issued":"2014-12-17T23:01:26Z","date_published":"2014-12-17T23:01:26Z","updated_at":"2026-07-22T22:26:07Z","subjects":["American Studies","Sociology, General","Mass Communications"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["(UMI)AAI9411553"],"render_values":[{"text":"(UMI)AAI9411553","href":null,"code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/2142/72499","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Denzin, Norman K."]},{"key":"dc:creator","label":"Author","values":["Andrews, David Lawrence"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2014-12-17T23:01:26Z","10000-01-01","1993"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Kinesiology"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["American Studies","Sociology, General","Mass Communications"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/72499","(UMI)AAI9411553"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Michael Jordan is one of the most socially and culturally significant figures within late twentieth century America. Despite his current ubiquity in the diverse networks of the popular media, Jordan has largely been neglected by critical cultural analysts. In redressing what is clearly a serious oversight in contemporary cultural understanding, this dissertation provides a critical deconstruction of Jordan's place within a postmodern America dominated by mediated images. This substantive project is realized through the formulation of a synthesis between cultural studies and Jean Baudrillard's implosive postmodernism. Establishing such an interpretive space exhumes an innovative framework for deciphering Jordan's relationship to the techno-discursive vectors of Reaganism. Appropriated by Nike, and a multitude of other promotional interests, these reactionary cultural logics enveloped Jordan and molded him into an All-American commodity-sign which reinforced the fatalistic racial indifference of the New Right. Having deconstructed Jordan's position and influence upon the experiencing of everyday life in contemporary America, the dissertation concludes by pointing toward the problematics that need to be addressed in order to formulate a more politically progressive reading of Michael Jordan.","Made available in DSpace on 2014-12-17T23:01:26Z (GMT). No. of bitstreams: 1 9411553.pdf: 16002187 bytes, checksum: 8996cceb2c6820085df13586fd64e632 (MD5) Previous issue date: 1993","Embargo set by: Seth Robbins for item 72667 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","U of I Only","357 p.","Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1993."]},{"key":"dc:title","label":"Title","values":["Deconstructing Michael Jordan: Popular Culture, Politics, and Postmodern America"]}]}],"canonical_facts":{"dc:contributor":["Denzin, Norman K."],"dc:creator":["Andrews, David Lawrence"],"dc:date":["2014-12-17T23:01:26Z","10000-01-01","1993"],"dc:description":["Michael Jordan is one of the most socially and culturally significant figures within late twentieth century America. Despite his current ubiquity in the diverse networks of the popular media, Jordan has largely been neglected by critical cultural analysts. In redressing what is clearly a serious oversight in contemporary cultural understanding, this dissertation provides a critical deconstruction of Jordan's place within a postmodern America dominated by mediated images. This substantive project is realized through the formulation of a synthesis between cultural studies and Jean Baudrillard's implosive postmodernism. Establishing such an interpretive space exhumes an innovative framework for deciphering Jordan's relationship to the techno-discursive vectors of Reaganism. Appropriated by Nike, and a multitude of other promotional interests, these reactionary cultural logics enveloped Jordan and molded him into an All-American commodity-sign which reinforced the fatalistic racial indifference of the New Right. Having deconstructed Jordan's position and influence upon the experiencing of everyday life in contemporary America, the dissertation concludes by pointing toward the problematics that need to be addressed in order to formulate a more politically progressive reading of Michael Jordan.","Made available in DSpace on 2014-12-17T23:01:26Z (GMT). No. of bitstreams: 1 9411553.pdf: 16002187 bytes, checksum: 8996cceb2c6820085df13586fd64e632 (MD5) Previous issue date: 1993","Embargo set by: Seth Robbins for item 72667 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","U of I Only","357 p.","Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1993."],"dc:identifier":["http://hdl.handle.net/2142/72499","(UMI)AAI9411553"],"dc:subject":["American Studies","Sociology, General","Mass Communications"],"dc:title":["Deconstructing Michael Jordan: Popular Culture, Politics, and Postmodern America"],"dc:type":["text"],"thesis:degree_discipline":["Kinesiology"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["Ph.D."],"thesis:institution_name":["University of Illinois at Urbana-Champaign"]},"updated_at":"2026-07-22T22:26:07Z"}