{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/71041"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/71041","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Gender-Based Ideology in Film and Literature: The Fantastic and Related Genres","abstract":"The work studies gender-based ideology in the fantastic and related genres. It begins with a general definition of the genre and an examination of its production in filmic and literary texts. Chapter 1 thus situates the fantastic while chapter 2 explores the identity and the otherness of the fantastic agent as represented in and through the text. Reader and spectator strategies are discussed, with emphasis on similarities and differences between the two. Additionally, the ideological implications of the treatment of Woman, her image and her desire are examined. Finally, related genres, especially romance/adventure, are treated in light of their capacity to protect the homogeneity and closure of the phallocentric text after the propaganda inherent in the fantastic was revealed.","abstract_html":"The work studies gender-based ideology in the fantastic and related genres. It begins with a general definition of the genre and an examination of its production in filmic and literary texts. Chapter 1 thus situates the fantastic while chapter 2 explores the identity and the otherness of the fantastic agent as represented in and through the text. Reader and spectator strategies are discussed, with emphasis on similarities and differences between the two. Additionally, the ideological implications of the treatment of Woman, her image and her desire are examined. Finally, related genres, especially romance/adventure, are treated in light of their capacity to protect the homogeneity and closure of the phallocentric text after the propaganda inherent in the fantastic was revealed.","abstract_has_math":false,"creators":["Hottell, Ruth Ann"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"French","degree_department":null,"school":null,"contributors":["Jahiel, Edwin,"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2014,"date_issued":"2014-12-16T05:11:32Z","date_published":"2014-12-16T05:11:32Z","updated_at":"2026-07-22T22:26:04Z","subjects":["Literature, Romance","Cinema"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["(UMI)AAI8803067"],"render_values":[{"text":"(UMI)AAI8803067","href":null,"code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/2142/71041","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Jahiel, Edwin,"]},{"key":"dc:creator","label":"Author","values":["Hottell, Ruth Ann"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2014-12-16T05:11:32Z","10000-01-01","1987"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["French"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Literature, Romance","Cinema"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/71041","(UMI)AAI8803067"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["The work studies gender-based ideology in the fantastic and related genres. It begins with a general definition of the genre and an examination of its production in filmic and literary texts. Chapter 1 thus situates the fantastic while chapter 2 explores the identity and the otherness of the fantastic agent as represented in and through the text. Reader and spectator strategies are discussed, with emphasis on similarities and differences between the two. Additionally, the ideological implications of the treatment of Woman, her image and her desire are examined. Finally, related genres, especially romance/adventure, are treated in light of their capacity to protect the homogeneity and closure of the phallocentric text after the propaganda inherent in the fantastic was revealed.","The ensuing chapters consist of case studies, using psychoanalytic criticism to explore the arrival, function and expulsion of the fantastic agent as it is defined by the Symbolic Order and articulated in the text. The nature of the look is treated also, along with its relation to desire and power. The specific works analyzed are: "La Morte Amoureuse" by Theophile Gautier and Les Diaboliques by Henri-Georges Clouzot. In chapter 5, the hypothesis concerning romance/adventure is tested on a 1984 film, Romancing the Stone by Robert Zemeckis. The goal of this final chapter is to expose any advances made toward affording the heroine a role as subject rather than object in the text.","Made available in DSpace on 2014-12-16T05:11:32Z (GMT). No. of bitstreams: 1 8803067.pdf: 8394585 bytes, checksum: b645807e1a0afe6fa135cb9a9401b7cf (MD5) Previous issue date: 1987","Embargo set by: Seth Robbins for item 71207 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","U of I Only","228 p.","Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1987."]},{"key":"dc:title","label":"Title","values":["Gender-Based Ideology in Film and Literature: The Fantastic and Related Genres"]}]}],"canonical_facts":{"dc:contributor":["Jahiel, Edwin,"],"dc:creator":["Hottell, Ruth Ann"],"dc:date":["2014-12-16T05:11:32Z","10000-01-01","1987"],"dc:description":["The work studies gender-based ideology in the fantastic and related genres. It begins with a general definition of the genre and an examination of its production in filmic and literary texts. Chapter 1 thus situates the fantastic while chapter 2 explores the identity and the otherness of the fantastic agent as represented in and through the text. Reader and spectator strategies are discussed, with emphasis on similarities and differences between the two. Additionally, the ideological implications of the treatment of Woman, her image and her desire are examined. Finally, related genres, especially romance/adventure, are treated in light of their capacity to protect the homogeneity and closure of the phallocentric text after the propaganda inherent in the fantastic was revealed.","The ensuing chapters consist of case studies, using psychoanalytic criticism to explore the arrival, function and expulsion of the fantastic agent as it is defined by the Symbolic Order and articulated in the text. The nature of the look is treated also, along with its relation to desire and power. The specific works analyzed are: "La Morte Amoureuse" by Theophile Gautier and Les Diaboliques by Henri-Georges Clouzot. In chapter 5, the hypothesis concerning romance/adventure is tested on a 1984 film, Romancing the Stone by Robert Zemeckis. The goal of this final chapter is to expose any advances made toward affording the heroine a role as subject rather than object in the text.","Made available in DSpace on 2014-12-16T05:11:32Z (GMT). No. of bitstreams: 1 8803067.pdf: 8394585 bytes, checksum: b645807e1a0afe6fa135cb9a9401b7cf (MD5) Previous issue date: 1987","Embargo set by: Seth Robbins for item 71207 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","U of I Only","228 p.","Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1987."],"dc:identifier":["http://hdl.handle.net/2142/71041","(UMI)AAI8803067"],"dc:subject":["Literature, Romance","Cinema"],"dc:title":["Gender-Based Ideology in Film and Literature: The Fantastic and Related Genres"],"dc:type":["text"],"thesis:degree_discipline":["French"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["Ph.D."],"thesis:institution_name":["University of Illinois at Urbana-Champaign"]},"updated_at":"2026-07-22T22:26:04Z"}