{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/70856"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/70856","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"\"Hamilton Forrest's \"\"camille\"\": A study through production\"","abstract":"A collection of information concerning Hamilton Forrest's 1930's opera, Camille, a French version of the Alexandre Dumas, fils novel, La Dame au Camelias. The updating of the story to 1930 and the addition of jazz elements is studied, as well as the successes and failures of the piece regarding its placement in the history of opera, the Chicago Opera Theater, and Mary Garden, for whom the work was written.","abstract_html":"A collection of information concerning Hamilton Forrest's 1930's opera, Camille, a French version of the Alexandre Dumas, fils novel, La Dame au Camelias. The updating of the story to 1930 and the addition of jazz elements is studied, as well as the successes and failures of the piece regarding its placement in the history of opera, the Chicago Opera Theater, and Mary Garden, for whom the work was written.","abstract_has_math":false,"creators":["Wagner, Jeanine Francis"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"D.M.A.","degree_level":"Dissertation","degree_discipline":"Music","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2014,"date_issued":"2014-12-16T04:13:07Z","date_published":"2014-12-16T04:13:07Z","updated_at":"2026-07-22T22:26:03Z","subjects":["Music"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["(UMI)AAI8721777"],"render_values":[{"text":"(UMI)AAI8721777","href":null,"code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/2142/70856","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Wagner, Jeanine Francis"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2014-12-16T04:13:07Z","10000-01-01","1987"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Music"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["D.M.A."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Music"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/70856","(UMI)AAI8721777"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["A collection of information concerning Hamilton Forrest's 1930's opera, Camille, a French version of the Alexandre Dumas, fils novel, La Dame au Camelias. The updating of the story to 1930 and the addition of jazz elements is studied, as well as the successes and failures of the piece regarding its placement in the history of opera, the Chicago Opera Theater, and Mary Garden, for whom the work was written.","Personal experience with the work is documented through the preparation and performance of Act II, scenes 1 and 3. Difficulties with the rhythmic aspects of the score as well as notation discrepancies are handled.","The opera is found to be in need of much interpretation of the technical aspects, i.e. notes, rhythms, text. While successful on a basic level, Camille is not considered to have a permanent place in the operatic repertoire.","Made available in DSpace on 2014-12-16T04:13:07Z (GMT). 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The updating of the story to 1930 and the addition of jazz elements is studied, as well as the successes and failures of the piece regarding its placement in the history of opera, the Chicago Opera Theater, and Mary Garden, for whom the work was written.","Personal experience with the work is documented through the preparation and performance of Act II, scenes 1 and 3. Difficulties with the rhythmic aspects of the score as well as notation discrepancies are handled.","The opera is found to be in need of much interpretation of the technical aspects, i.e. notes, rhythms, text. While successful on a basic level, Camille is not considered to have a permanent place in the operatic repertoire.","Made available in DSpace on 2014-12-16T04:13:07Z (GMT). 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