{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/67734"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/67734","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"\"An analysis of Gyorgy Ligeti's \"\"Atmospheres\"\" \"","abstract":"Atmospheres, a work for large orchestra composed in 1961 by Gyorgy Ligeti, is a strikingly attractive display of novel sonorities and dramatic effects. Evidence of aesthetic significance is sought, particularly in structural relationships readily perceptible by the listener. To facilitate illustration and analysis a graphic transcription was made. The historical context of the work is examined, specifically the post-war development of serialism and the transition to "sound-mass" forms. An explanatory description of each section of Atmospheres is followed by a structural analysis. The author concludes that the music reveals a structural coherence and functional logic in which organic processes of directional change may be heard to serve as expressive metaphors of changes found more generally in the physical world and which lend themselves to a meaningfully dramatic dialogue between continuity and discontinuity.","abstract_html":"Atmospheres, a work for large orchestra composed in 1961 by Gyorgy Ligeti, is a strikingly attractive display of novel sonorities and dramatic effects. Evidence of aesthetic significance is sought, particularly in structural relationships readily perceptible by the listener. To facilitate illustration and analysis a graphic transcription was made. The historical context of the work is examined, specifically the post-war development of serialism and the transition to "sound-mass" forms. An explanatory description of each section of Atmospheres is followed by a structural analysis. The author concludes that the music reveals a structural coherence and functional logic in which organic processes of directional change may be heard to serve as expressive metaphors of changes found more generally in the physical world and which lend themselves to a meaningfully dramatic dialogue between continuity and discontinuity.","abstract_has_math":false,"creators":["Van Der Slice, John Dewitt"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"D.M.A.","degree_level":"Dissertation","degree_discipline":"Music","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2014,"date_issued":"2014-12-14T06:21:02Z","date_published":"2014-12-14T06:21:02Z","updated_at":"2026-07-22T22:25:58Z","subjects":["Music"],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["(UMI)AAI8018211"],"render_values":[{"text":"(UMI)AAI8018211","href":null,"code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/2142/67734","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Van Der Slice, John Dewitt"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2014-12-14T06:21:02Z","10000-01-01","1980"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Music"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["D.M.A."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Music"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/67734","(UMI)AAI8018211"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Atmospheres, a work for large orchestra composed in 1961 by Gyorgy Ligeti, is a strikingly attractive display of novel sonorities and dramatic effects. Evidence of aesthetic significance is sought, particularly in structural relationships readily perceptible by the listener. To facilitate illustration and analysis a graphic transcription was made. The historical context of the work is examined, specifically the post-war development of serialism and the transition to "sound-mass" forms. An explanatory description of each section of Atmospheres is followed by a structural analysis. The author concludes that the music reveals a structural coherence and functional logic in which organic processes of directional change may be heard to serve as expressive metaphors of changes found more generally in the physical world and which lend themselves to a meaningfully dramatic dialogue between continuity and discontinuity.","Made available in DSpace on 2014-12-14T06:21:02Z (GMT). No. of bitstreams: 1 8018211.pdf: 2553354 bytes, checksum: 2b338c75ee6f2fdf29994942e1a10a8d (MD5) Previous issue date: 1980","Embargo set by: Seth Robbins for item 67912 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","U of I Only","51 p.","Thesis (D.M.A.)--University of Illinois at Urbana-Champaign, 1980."]},{"key":"dc:title","label":"Title","values":["\"An analysis of Gyorgy Ligeti's \"\"Atmospheres\"\" \""]}]}],"canonical_facts":{"dc:creator":["Van Der Slice, John Dewitt"],"dc:date":["2014-12-14T06:21:02Z","10000-01-01","1980"],"dc:description":["Atmospheres, a work for large orchestra composed in 1961 by Gyorgy Ligeti, is a strikingly attractive display of novel sonorities and dramatic effects. Evidence of aesthetic significance is sought, particularly in structural relationships readily perceptible by the listener. To facilitate illustration and analysis a graphic transcription was made. The historical context of the work is examined, specifically the post-war development of serialism and the transition to "sound-mass" forms. An explanatory description of each section of Atmospheres is followed by a structural analysis. The author concludes that the music reveals a structural coherence and functional logic in which organic processes of directional change may be heard to serve as expressive metaphors of changes found more generally in the physical world and which lend themselves to a meaningfully dramatic dialogue between continuity and discontinuity.","Made available in DSpace on 2014-12-14T06:21:02Z (GMT). No. of bitstreams: 1 8018211.pdf: 2553354 bytes, checksum: 2b338c75ee6f2fdf29994942e1a10a8d (MD5) Previous issue date: 1980","Embargo set by: Seth Robbins for item 67912 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","U of I Only","51 p.","Thesis (D.M.A.)--University of Illinois at Urbana-Champaign, 1980."],"dc:identifier":["http://hdl.handle.net/2142/67734","(UMI)AAI8018211"],"dc:language":["eng"],"dc:subject":["Music"],"dc:title":["\"An analysis of Gyorgy Ligeti's \"\"Atmospheres\"\" \""],"dc:type":["text"],"thesis:degree_discipline":["Music"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["D.M.A."],"thesis:institution_name":["University of Illinois at Urbana-Champaign"]},"updated_at":"2026-07-22T22:25:58Z"}