{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/44813"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/44813","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Comparing Bifa ji and Linquan gaozhi: shifts in art writings about landscape in the five dynasties and Northern Song periods","abstract":"This is a study of differences between Bifa ji and Linquan gaozhi, two Chinese art texts written in the tenth and eleventh century, respectively. The comparison of these two writings opens the window on the way that shifts in art writings took place during late Northern Song period. I analyze how descriptions of the object of representation, ways of seeing the landscape, and the craft of painting in Bifa ji and Linquan gaozhi differ from each other. As a result, I argue that the author of Linquan gaozhi valued pictorial representation in landscape painting. This shift was affected by cultural trends reflected in contemporary paintings and philosophical, literary, and art texts.","abstract_html":"This is a study of differences between Bifa ji and Linquan gaozhi, two Chinese art texts written in the tenth and eleventh century, respectively. The comparison of these two writings opens the window on the way that shifts in art writings took place during late Northern Song period. I analyze how descriptions of the object of representation, ways of seeing the landscape, and the craft of painting in Bifa ji and Linquan gaozhi differ from each other. As a result, I argue that the author of Linquan gaozhi valued pictorial representation in landscape painting. This shift was affected by cultural trends reflected in contemporary paintings and philosophical, literary, and art texts.","abstract_has_math":false,"creators":["Huang, Mengchen"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"M.A.","degree_level":"Thesis","degree_discipline":"Art History","degree_department":null,"school":null,"contributors":["Burkus-Chasson, Anne"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2013,"date_issued":"2013-05-28T19:20:57Z","date_published":"2013-05-28T19:20:57Z","updated_at":"2026-07-22T22:25:34Z","subjects":["Bifa ji","Linquan gaozhi","Art Writings","Landscape Painting"],"languages":["en"],"rights":["Copyright 2013 Mengchen Huang"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/2142/44813","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Burkus-Chasson, Anne"]},{"key":"dc:creator","label":"Author","values":["Huang, Mengchen"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2013-05-28T19:20:57Z","2015-05-28T10:02:17Z","2013-05"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Art History"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M.A."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Bifa ji","Linquan gaozhi","Art Writings","Landscape Painting"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2013 Mengchen Huang"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/44813"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["This is a study of differences between Bifa ji and Linquan gaozhi, two Chinese art texts written in the tenth and eleventh century, respectively. 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The comparison of these two writings opens the window on the way that shifts in art writings took place during late Northern Song period. I analyze how descriptions of the object of representation, ways of seeing the landscape, and the craft of painting in Bifa ji and Linquan gaozhi differ from each other. As a result, I argue that the author of Linquan gaozhi valued pictorial representation in landscape painting. This shift was affected by cultural trends reflected in contemporary paintings and philosophical, literary, and art texts.","Item withdrawn by Mark Zulauf (zulauf@illinois.edu) on 2013-04-03T15:53:53Z Item was in collections: University of Illinois Theses & Dissertations (ID: 1) No. of bitstreams: 1 Huang_Mengchen.pdf: 1244237 bytes, checksum: e0d303518947fe669844f5050e7f8f07 (MD5)","Made available in DSpace on 2013-05-28T19:20:57Z (GMT). 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