{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/44194"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/44194","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Waterfront spectacular","abstract":"Through discourse analysis and site evaluation, this thesis asks two questions: first, what is the potential of the contemporary urban waterfront to structure and perpetuate meaningful spectacle; and second, what is the potential for spectacle to restructure the post-industrial public waterfront thus affording these sites more transformative power within society? Discourse analysis of spectacle is used in order to establish a typology of spectacle as well as a new definition of the phenomenon. Three case study cities—New Orleans, New York City, and Chicago—are evaluated in order to understand contemporary design strategies in post-industrial public waterfront projects. Spectacle is newly defined by the author as, “a visible deviation from the norm intended to provoke a response.” That understanding of spectacle is then explored as a design strategy on a riverfront site in downtown Detroit, Michigan, as part of the Detroit by Design 2012 Detroit Riverfront Competition. The author proposes a concept called “CityWorks Plaza & Port: a Publicly Owned Working Wharf and Repurposing Cooperative” as a model for Detroit. CityWorks Plaza and Port capitalizes on two detrimental aquatic invasive species: the sea lamprey (Petromyzon marinus) and zebra mussel (Dreissena polymorpha) and asserts that making work visible, in public, is spectacular—as noted, “a visible deviation from the norm intended to provoke a response.” In conclusion, this thesis discusses how instrumentalizing spectacle in design can lead to a post-post-industrial scenario—one which merges industrial space with public space, thus enabling a more diverse and generative economy while meeting public demands for waterfront access and recreational space.","abstract_html":"Through discourse analysis and site evaluation, this thesis asks two questions: first, what is the potential of the contemporary urban waterfront to structure and perpetuate meaningful spectacle; and second, what is the potential for spectacle to restructure the post-industrial public waterfront thus affording these sites more transformative power within society? Discourse analysis of spectacle is used in order to establish a typology of spectacle as well as a new definition of the phenomenon. Three case study cities—New Orleans, New York City, and Chicago—are evaluated in order to understand contemporary design strategies in post-industrial public waterfront projects. Spectacle is newly defined by the author as, “a visible deviation from the norm intended to provoke a response.” That understanding of spectacle is then explored as a design strategy on a riverfront site in downtown Detroit, Michigan, as part of the Detroit by Design 2012 Detroit Riverfront Competition. The author proposes a concept called “CityWorks Plaza & Port: a Publicly Owned Working Wharf and Repurposing Cooperative” as a model for Detroit. CityWorks Plaza and Port capitalizes on two detrimental aquatic invasive species: the sea lamprey (Petromyzon marinus) and zebra mussel (Dreissena polymorpha) and asserts that making work visible, in public, is spectacular—as noted, “a visible deviation from the norm intended to provoke a response.” In conclusion, this thesis discusses how instrumentalizing spectacle in design can lead to a post-post-industrial scenario—one which merges industrial space with public space, thus enabling a more diverse and generative economy while meeting public demands for waterfront access and recreational space.","abstract_has_math":false,"creators":["Hochhalter, Anna"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"M.L.A.","degree_level":"Thesis","degree_discipline":"Landscape Architecture","degree_department":null,"school":null,"contributors":["Hays, David L."],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2013,"date_issued":"2013-05-24T21:53:52Z","date_published":"2013-05-24T21:53:52Z","updated_at":"2026-07-22T22:25:33Z","subjects":["post-industrial","waterfront","riverfront","spectacle","productive landscape","service economy","Parks","Detroit","Chicago","New York City","New Orleans"],"languages":["en"],"rights":["Copyright 2013 Anna L. 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CityWorks Plaza and Port capitalizes on two detrimental aquatic invasive species: the sea lamprey (Petromyzon marinus) and zebra mussel (Dreissena polymorpha) and asserts that making work visible, in public, is spectacular—as noted, “a visible deviation from the norm intended to provoke a response.” In conclusion, this thesis discusses how instrumentalizing spectacle in design can lead to a post-post-industrial scenario—one which merges industrial space with public space, thus enabling a more diverse and generative economy while meeting public demands for waterfront access and recreational space.","Item withdrawn by Mark Zulauf (zulauf@illinois.edu) on 2013-04-25T13:03:57Z Item was in collections: University of Illinois Theses & Dissertations (ID: 1) No. of bitstreams: 1 Hochhalter_Anna.pdf: 15780437 bytes, checksum: c43535067e07828100e20c48e1accae5 (MD5)","Made available in DSpace on 2013-05-24T21:53:52Z (GMT). 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