{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/34519"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/34519","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Inventário do caos: Rogério Duarte, Tropicália e pós-modernidade","abstract":"Tropicália was a Brazilian cultural revolution in the 1960s that operated in various artistic fronts including cinema, music, photography, theatre, and design. Although Rogério Duarte was one of the principal mentors of Tropicália—having acted as a theoretician and as an artist—and was, along with this, one of the initiators of post-modernity in Brazil, his legacy is yet to be incorporated into both the critical canon of Tropicália and post-modernity in Brazil. Moreover, Rogério Duarte's life, full of pitfalls, remains unknown. This in itself is also important to understanding his aesthetic and theoretical positions. Here, I make an inventory of Rogério Duarte's intellectual legacy and aesthetics through analysis of Notas Sobre o Desenho Industrial (Notes on Industrial Design) — a theoretical text published by Rogério Duarte in 1965 that, despite its focus on industrial design in Brazil, ended up being a reflection on post-modernity and 'tropicalism' in general.","abstract_html":"Tropicália was a Brazilian cultural revolution in the 1960s that operated in various artistic fronts including cinema, music, photography, theatre, and design. Although Rogério Duarte was one of the principal mentors of Tropicália—having acted as a theoretician and as an artist—and was, along with this, one of the initiators of post-modernity in Brazil, his legacy is yet to be incorporated into both the critical canon of Tropicália and post-modernity in Brazil. Moreover, Rogério Duarte&#x27;s life, full of pitfalls, remains unknown. This in itself is also important to understanding his aesthetic and theoretical positions. Here, I make an inventory of Rogério Duarte&#x27;s intellectual legacy and aesthetics through analysis of Notas Sobre o Desenho Industrial (Notes on Industrial Design) — a theoretical text published by Rogério Duarte in 1965 that, despite its focus on industrial design in Brazil, ended up being a reflection on post-modernity and &#x27;tropicalism&#x27; in general.","abstract_has_math":false,"creators":["Teixeira, Narlan"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"Portuguese","degree_department":null,"school":null,"contributors":["Tosta, Antonio L.","Goldman, Dara E.","Hassan, Wail S.","Dunn, Christopher"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2012,"date_issued":"2012-09-18T21:23:47Z","date_published":"2012-09-18T21:23:47Z","updated_at":"2026-07-22T22:25:31Z","subjects":["Tropicália","Rogério Duarte","Brazil","Postmodernity","Mass media","Notes on Industrial Design"],"languages":["pt"],"rights":["Copyright 2012 Narlan Matos Teixeira"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/2142/34519","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Tosta, Antonio L.","Goldman, Dara E.","Hassan, Wail S.","Dunn, Christopher"]},{"key":"dc:creator","label":"Author","values":["Teixeira, Narlan"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2012-09-18T21:23:47Z","2014-09-18T10:00:56Z","2016-12-03T10:19:04Z","2012-08"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Portuguese"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Tropicália","Rogério Duarte","Brazil","Postmodernity","Mass media","Notes on Industrial Design"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["pt"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2012 Narlan Matos Teixeira"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/34519"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Tropicália was a Brazilian cultural revolution in the 1960s that operated in various artistic fronts including cinema, music, photography, theatre, and design. Although Rogério Duarte was one of the principal mentors of Tropicália—having acted as a theoretician and as an artist—and was, along with this, one of the initiators of post-modernity in Brazil, his legacy is yet to be incorporated into both the critical canon of Tropicália and post-modernity in Brazil. Moreover, Rogério Duarte's life, full of pitfalls, remains unknown. This in itself is also important to understanding his aesthetic and theoretical positions. Here, I make an inventory of Rogério Duarte's intellectual legacy and aesthetics through analysis of Notas Sobre o Desenho Industrial (Notes on Industrial Design) — a theoretical text published by Rogério Duarte in 1965 that, despite its focus on industrial design in Brazil, ended up being a reflection on post-modernity and 'tropicalism' in general.","Item withdrawn by Mark Zulauf (zulauf@illinois.edu) on 2012-07-12T13:17:31Z Item was in collections: University of Illinois Theses & Dissertations (ID: 1) No. of bitstreams: 2 Teixeira_Narlan.doc: 651776 bytes, checksum: c050c2ef6fbf491d9c078e537375619d (MD5) Teixeira_Narlan.pdf: 1365737 bytes, checksum: 264b6f6297def4344ec72c0c1a48caa6 (MD5)","Made available in DSpace on 2012-09-18T21:23:47Z (GMT). No. of bitstreams: 3 Teixeira_Narlan.pdf: 1365737 bytes, checksum: 264b6f6297def4344ec72c0c1a48caa6 (MD5) Teixeira_Narlan.doc: 651776 bytes, checksum: c050c2ef6fbf491d9c078e537375619d (MD5) license.txt: 4065 bytes, checksum: 68bd260615c6d8aa30c88cb29bbc60c2 (MD5)","Restriction data tranferred 2014-07-01T11:35:42-05:00 Original Data Group with Access Administrator Release Date: 2014-09-18 16:27:16 UTC Reason: Author requested closed access (OA after 2yrs) in Vireo ETD system","Item marked as restricted to the 'Administrator' Group (id=1) by Seth Robbins (srobbins@illinois.edu) on 2012-09-18T21:27:18Z Item is restricted until 2014-09-18T21:27:16Z","Limited Restriction Lifted for Item 34793 on 2014-09-18T10:00:56Z.","Limited Restriction Lifted for Item 34793 on 2016-12-03T10:19:04Z."]},{"key":"dc:title","label":"Title","values":["Inventário do caos: Rogério Duarte, Tropicália e pós-modernidade"]}]}],"canonical_facts":{"dc:contributor":["Tosta, Antonio L.","Goldman, Dara E.","Hassan, Wail S.","Dunn, Christopher"],"dc:creator":["Teixeira, Narlan"],"dc:date":["2012-09-18T21:23:47Z","2014-09-18T10:00:56Z","2016-12-03T10:19:04Z","2012-08"],"dc:description":["Tropicália was a Brazilian cultural revolution in the 1960s that operated in various artistic fronts including cinema, music, photography, theatre, and design. Although Rogério Duarte was one of the principal mentors of Tropicália—having acted as a theoretician and as an artist—and was, along with this, one of the initiators of post-modernity in Brazil, his legacy is yet to be incorporated into both the critical canon of Tropicália and post-modernity in Brazil. Moreover, Rogério Duarte's life, full of pitfalls, remains unknown. This in itself is also important to understanding his aesthetic and theoretical positions. Here, I make an inventory of Rogério Duarte's intellectual legacy and aesthetics through analysis of Notas Sobre o Desenho Industrial (Notes on Industrial Design) — a theoretical text published by Rogério Duarte in 1965 that, despite its focus on industrial design in Brazil, ended up being a reflection on post-modernity and 'tropicalism' in general.","Item withdrawn by Mark Zulauf (zulauf@illinois.edu) on 2012-07-12T13:17:31Z Item was in collections: University of Illinois Theses & Dissertations (ID: 1) No. of bitstreams: 2 Teixeira_Narlan.doc: 651776 bytes, checksum: c050c2ef6fbf491d9c078e537375619d (MD5) Teixeira_Narlan.pdf: 1365737 bytes, checksum: 264b6f6297def4344ec72c0c1a48caa6 (MD5)","Made available in DSpace on 2012-09-18T21:23:47Z (GMT). No. of bitstreams: 3 Teixeira_Narlan.pdf: 1365737 bytes, checksum: 264b6f6297def4344ec72c0c1a48caa6 (MD5) Teixeira_Narlan.doc: 651776 bytes, checksum: c050c2ef6fbf491d9c078e537375619d (MD5) license.txt: 4065 bytes, checksum: 68bd260615c6d8aa30c88cb29bbc60c2 (MD5)","Restriction data tranferred 2014-07-01T11:35:42-05:00 Original Data Group with Access Administrator Release Date: 2014-09-18 16:27:16 UTC Reason: Author requested closed access (OA after 2yrs) in Vireo ETD system","Item marked as restricted to the 'Administrator' Group (id=1) by Seth Robbins (srobbins@illinois.edu) on 2012-09-18T21:27:18Z Item is restricted until 2014-09-18T21:27:16Z","Limited Restriction Lifted for Item 34793 on 2014-09-18T10:00:56Z.","Limited Restriction Lifted for Item 34793 on 2016-12-03T10:19:04Z."],"dc:identifier":["http://hdl.handle.net/2142/34519"],"dc:language":["pt"],"dc:rights":["Copyright 2012 Narlan Matos Teixeira"],"dc:subject":["Tropicália","Rogério Duarte","Brazil","Postmodernity","Mass media","Notes on Industrial Design"],"dc:title":["Inventário do caos: Rogério Duarte, Tropicália e pós-modernidade"],"thesis:degree_discipline":["Portuguese"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["Ph.D."],"thesis:institution_name":["University of Illinois at Urbana-Champaign"]},"updated_at":"2026-07-22T22:25:31Z"}