{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/32012"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/32012","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Ralph Vaughan Williams and the pastoral mode","abstract":"Item withdrawn by Mark Zulauf (zulauf@illinois.edu) on 2012-02-17T17:14:20Z Item was in collections: University of Illinois Theses & Dissertations (ID: 1) No. of bitstreams: 1 Ross_Ryan.pdf: 30916703 bytes, checksum: 9b7db5f925500ce71dc1d6c12f45d4e3 (MD5)","abstract_html":"Item withdrawn by Mark Zulauf (zulauf@illinois.edu) on 2012-02-17T17:14:20Z Item was in collections: University of Illinois Theses & Dissertations (ID: 1) No. of bitstreams: 1 Ross_Ryan.pdf: 30916703 bytes, checksum: 9b7db5f925500ce71dc1d6c12f45d4e3 (MD5)","abstract_has_math":false,"creators":["Ross, Ryan"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"Musicology","degree_department":null,"school":null,"contributors":["Magee, Gayle Sherwood","Sherwood Magee, Gayle","Bashford, Christina","Kinderman, William A.","Temperley, Nicholas"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2012,"date_issued":"2012-06-27T21:27:59Z","date_published":"2012-06-27T21:27:59Z","updated_at":"2026-07-22T22:25:30Z","subjects":["20th Century Music","Ralph Vaughan Williams","English Music","pastoral"],"languages":["en"],"rights":["Copyright 2012 Ryan Ross"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/2142/32012","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Magee, Gayle Sherwood","Sherwood Magee, Gayle","Bashford, Christina","Kinderman, William A.","Temperley, Nicholas"]},{"key":"dc:creator","label":"Author","values":["Ross, Ryan"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2012-06-27T21:27:59Z","2014-06-28T10:00:26Z","2016-10-03T10:00:42Z","2012-05"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Musicology"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["20th Century Music","Ralph Vaughan Williams","English Music","pastoral"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2012 Ryan Ross"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/32012"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Item withdrawn by Mark Zulauf (zulauf@illinois.edu) on 2012-02-17T17:14:20Z Item was in collections: University of Illinois Theses & Dissertations (ID: 1) No. of bitstreams: 1 Ross_Ryan.pdf: 30916703 bytes, checksum: 9b7db5f925500ce71dc1d6c12f45d4e3 (MD5)","Made available in DSpace on 2012-06-27T21:27:59Z (GMT). No. of bitstreams: 2 Ross_Ryan.pdf: 30910365 bytes, checksum: 4df9677ba2bc8dcb154f3d466f9ce50e (MD5) license.txt: 4058 bytes, checksum: 7d56c8fb493de75af606029ab998e4d4 (MD5)","Item marked as restricted to the 'Administrator' Group (id=1) by William Ingram (wingram2@illinois.edu) on 2012-06-27T21:32:34Z Item is restricted until 2014-06-27T21:32:23Z","Item reinstated by Sarah Shreeves (sshreeve@illinois.edu) on 2014-06-28T10:00:26Z Item was in collections: Graduate Theses and Dissertations at Illinois (ID: 204) No. of bitstreams: 2 Ross_Ryan.pdf: 30910365 bytes, checksum: 4df9677ba2bc8dcb154f3d466f9ce50e (MD5) license.txt: 4058 bytes, checksum: 7d56c8fb493de75af606029ab998e4d4 (MD5)","Item released from any restrictions by Sarah Shreeves (sshreeve@illinois.edu) on 2014-06-28T10:00:26Z","Limited Restriction Lifted for Item 32277 on 2016-10-03T10:00:42Z.","The music of Ralph Vaughan Williams (1872-1958) has often been associated with a pastoral mode of expression. While scholars have begun exploring this relationship in projects of limited focus, an extended study has not yet been undertaken. This dissertation is the first such study. It examines ways in which Vaughan Williams and his music have demonstrable points of contact with the pastoral mode, emphasizing the role that literature and personal experience played in influencing this part of his imagination. The first chapter explores the term “pastoral” itself, its use in Western literature and music, and how all of these factors relate to Vaughan Williams and English culture. Subsequent chapters consider a selection of the composer’s activities, convictions, and compositions, and discuss them in light of significant pastoral influences. Through such case studies, this dissertation demonstrates that Vaughan Williams’s use of the pastoral mode was not only more complex and multi-layered than has previously been understood, but it was also a major attribute of his originality and a key ingredient in his artistic engagement with the contemporary world."]},{"key":"dc:title","label":"Title","values":["Ralph Vaughan Williams and the pastoral mode"]}]}],"canonical_facts":{"dc:contributor":["Magee, Gayle Sherwood","Sherwood Magee, Gayle","Bashford, Christina","Kinderman, William A.","Temperley, Nicholas"],"dc:creator":["Ross, Ryan"],"dc:date":["2012-06-27T21:27:59Z","2014-06-28T10:00:26Z","2016-10-03T10:00:42Z","2012-05"],"dc:description":["Item withdrawn by Mark Zulauf (zulauf@illinois.edu) on 2012-02-17T17:14:20Z Item was in collections: University of Illinois Theses & Dissertations (ID: 1) No. of bitstreams: 1 Ross_Ryan.pdf: 30916703 bytes, checksum: 9b7db5f925500ce71dc1d6c12f45d4e3 (MD5)","Made available in DSpace on 2012-06-27T21:27:59Z (GMT). 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