{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/30997"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/30997","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"On the Democritean concept of poetic inspiration","abstract":"The concept of poetic inspiration as a species of madness has usually been traced back to Democritus of Abdera, who is believed to have been the first to use the vocabulary of ecstatic possession for the characteristic activity of the talented poet, in implicit contrast with that of the philosopher. This essay reconsiders the Democritean fragments on poets and poetry in light of those pertaining to divinity, mind, and perception, concluding that later suppositions about the irrational inspiration of poets cannot be applied to Democritus, who seems instead to have looked to the inspired poet as a paradigm for his own conception of the optimally perceptive mind.","abstract_html":"The concept of poetic inspiration as a species of madness has usually been traced back to Democritus of Abdera, who is believed to have been the first to use the vocabulary of ecstatic possession for the characteristic activity of the talented poet, in implicit contrast with that of the philosopher. This essay reconsiders the Democritean fragments on poets and poetry in light of those pertaining to divinity, mind, and perception, concluding that later suppositions about the irrational inspiration of poets cannot be applied to Democritus, who seems instead to have looked to the inspired poet as a paradigm for his own conception of the optimally perceptive mind.","abstract_has_math":false,"creators":["Wash, Leon"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"M.A.","degree_level":"Thesis","degree_discipline":"Classics","degree_department":null,"school":null,"contributors":["Sanders, Kirk R.","Augoustakis, Antonios"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2012,"date_issued":"2012-05-22T00:20:45Z","date_published":"2012-05-22T00:20:45Z","updated_at":"2026-07-22T22:25:29Z","subjects":["Democritus","enthousiasmos"],"languages":["en"],"rights":["Copyright 2012 Leon Wash"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/2142/30997","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Sanders, Kirk R.","Augoustakis, Antonios"]},{"key":"dc:creator","label":"Author","values":["Wash, Leon"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2012-05-22T00:20:45Z","2012-05"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Classics"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M.A."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Democritus","enthousiasmos"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2012 Leon Wash"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/30997"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["The concept of poetic inspiration as a species of madness has usually been traced back to Democritus of Abdera, who is believed to have been the first to use the vocabulary of ecstatic possession for the characteristic activity of the talented poet, in implicit contrast with that of the philosopher. 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