{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/29747"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/29747","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Copyrighting Chinese media: cultural commodification in a political economic context","abstract":"This dissertation documents the development of copyright in contemporary China in the context of social transformation and media growth and works to understand copyright in social and political economic perspectives. The chapters study the history of copyright, debates and conflicts in the making of the Copyright Law, copyright’s role in production and labor in media institutions, copyright control and freedom of expression in the digital environment, business strategies and copyright enforcement, criminal prosecution of copyright infringements, as well as copyright collective management. I argue that the dynamics of copyright growth in China today manifest one dimension of cultural commodification in specific global and historical contexts. The development of intellectual property is shaped by, and contributes to, transforming global and Chinese political economy. Still unfolding, the Chinese copyright system has shown distinct pro-business and pro-property biases which work to the detriment of media labor and the public.","abstract_html":"This dissertation documents the development of copyright in contemporary China in the context of social transformation and media growth and works to understand copyright in social and political economic perspectives. The chapters study the history of copyright, debates and conflicts in the making of the Copyright Law, copyright’s role in production and labor in media institutions, copyright control and freedom of expression in the digital environment, business strategies and copyright enforcement, criminal prosecution of copyright infringements, as well as copyright collective management. I argue that the dynamics of copyright growth in China today manifest one dimension of cultural commodification in specific global and historical contexts. The development of intellectual property is shaped by, and contributes to, transforming global and Chinese political economy. Still unfolding, the Chinese copyright system has shown distinct pro-business and pro-property biases which work to the detriment of media labor and the public.","abstract_has_math":false,"creators":["Han, Dong"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"Communications","degree_department":null,"school":null,"contributors":["Schiller, Daniel T.","McChesney, Robert W.","Nerone, John C.","Zhao, Yuezhi"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2012,"date_issued":"2012-02-06T20:14:17Z","date_published":"2012-02-06T20:14:17Z","updated_at":"2026-07-22T22:25:29Z","subjects":["copyright","Chinese media","political economy","Intellectual Property","intellectual property rights (IPR)","cultural commodification"],"languages":["en"],"rights":["Copyright 2011 Dong Han"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/2142/29747","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Schiller, Daniel T.","McChesney, Robert W.","Nerone, John C.","Zhao, Yuezhi"]},{"key":"dc:creator","label":"Author","values":["Han, Dong"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2012-02-06T20:14:17Z","2011-12"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Communications"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["copyright","Chinese media","political economy","Intellectual Property","intellectual property rights (IPR)","cultural commodification"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2011 Dong Han"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/29747"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["This dissertation documents the development of copyright in contemporary China in the context of social transformation and media growth and works to understand copyright in social and political economic perspectives. The chapters study the history of copyright, debates and conflicts in the making of the Copyright Law, copyright’s role in production and labor in media institutions, copyright control and freedom of expression in the digital environment, business strategies and copyright enforcement, criminal prosecution of copyright infringements, as well as copyright collective management. I argue that the dynamics of copyright growth in China today manifest one dimension of cultural commodification in specific global and historical contexts. The development of intellectual property is shaped by, and contributes to, transforming global and Chinese political economy. Still unfolding, the Chinese copyright system has shown distinct pro-business and pro-property biases which work to the detriment of media labor and the public.","Item withdrawn by Mark Zulauf (zulauf@illinois.edu) on 2011-08-16T20:56:55Z Item was in collections: University of Illinois Theses & Dissertations (ID: 1) No. of bitstreams: 1 Han_Dong.pdf: 805548 bytes, checksum: 2a4b74734b22056c63bd8e6391787491 (MD5)","Made available in DSpace on 2012-02-06T20:14:17Z (GMT). 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The chapters study the history of copyright, debates and conflicts in the making of the Copyright Law, copyright’s role in production and labor in media institutions, copyright control and freedom of expression in the digital environment, business strategies and copyright enforcement, criminal prosecution of copyright infringements, as well as copyright collective management. I argue that the dynamics of copyright growth in China today manifest one dimension of cultural commodification in specific global and historical contexts. The development of intellectual property is shaped by, and contributes to, transforming global and Chinese political economy. Still unfolding, the Chinese copyright system has shown distinct pro-business and pro-property biases which work to the detriment of media labor and the public.","Item withdrawn by Mark Zulauf (zulauf@illinois.edu) on 2011-08-16T20:56:55Z Item was in collections: University of Illinois Theses & Dissertations (ID: 1) No. of bitstreams: 1 Han_Dong.pdf: 805548 bytes, checksum: 2a4b74734b22056c63bd8e6391787491 (MD5)","Made available in DSpace on 2012-02-06T20:14:17Z (GMT). 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