{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/24472"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/24472","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Cultures of migration: Race, space, and the politics of alliance in U.S. latina/o print and visual culture, 1910-1939","abstract":"Item withdrawn by Mark Zulauf (zulauf@illinois.edu) on 2011-04-17T21:40:38Z Item was in collections: University of Illinois Theses & Dissertations (ID: 1) No. of bitstreams: 1 havlin_natalie.pdf: 1334621 bytes, checksum: 74f71e4109be090aec41ce9bd03eb6cc (MD5)","abstract_html":"Item withdrawn by Mark Zulauf (zulauf@illinois.edu) on 2011-04-17T21:40:38Z Item was in collections: University of Illinois Theses &amp; Dissertations (ID: 1) No. of bitstreams: 1 havlin_natalie.pdf: 1334621 bytes, checksum: 74f71e4109be090aec41ce9bd03eb6cc (MD5)","abstract_has_math":false,"creators":["Havlin, Natalie"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"English","degree_department":null,"school":null,"contributors":["Somerville, Siobhan","Rodriguez, Richard T.","Koshy, Susan","Cacho, Lisa M."],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2011,"date_issued":"2011-05-25T14:27:36Z","date_published":"2011-05-25T14:27:36Z","updated_at":"2026-07-22T22:25:23Z","subjects":["Puerto Rican literature","Chicano literature","Gender identity - United States - History","Race relations in literature","Urban migration"],"languages":["en"],"rights":["Copyright 2011 Natalie Havlin"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/2142/24472","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Somerville, Siobhan","Rodriguez, Richard T.","Koshy, Susan","Cacho, Lisa M."]},{"key":"dc:creator","label":"Author","values":["Havlin, Natalie"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2011-05-25T14:27:36Z","2013-05-26T10:00:18Z","2015-11-18T11:01:57Z","2017-12-22T10:15:39Z","2020-02-27T10:15:33Z","2011-05"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Puerto Rican literature","Chicano literature","Gender identity - United States - History","Race relations in literature","Urban migration"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2011 Natalie Havlin"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/24472"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Item withdrawn by Mark Zulauf (zulauf@illinois.edu) on 2011-04-17T21:40:38Z Item was in collections: University of Illinois Theses & Dissertations (ID: 1) No. of bitstreams: 1 havlin_natalie.pdf: 1334621 bytes, checksum: 74f71e4109be090aec41ce9bd03eb6cc (MD5)","Made available in DSpace on 2011-05-25T14:27:36Z (GMT). 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Placing the works I recover in conversation with early Hollywood film and modernist and realist narratives about transnational migration by John Dos Passos, John Steinbeck, and Langston Hughes, I argue that early twentieth-century Latina/o writers reformulated melodrama and romance genre conventions to radically re-imagine forms of affiliation and collaboration among urban Latina/o, African American, and Asian migrants. Early twentieth-century Latina/o print culture, I show, figures affective and non-reproductive bonds as the basis for intraethnic and interethnic alliances for social and political change, displacing heteronormative national and familial tropes of affiliation common to melodrama and romance. “Cultures of Migration” develops a translocal method of reading to recover the ideological and genre innovations of early U.S. Latina/o print culture, from which I argue that early Latina/o fiction portrays intraethnic and interracial political formations that are less historical outcomes than daily acts of affective recalibration, solidarity and collaboration. 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Early twentieth-century Latina/o print culture, I show, figures affective and non-reproductive bonds as the basis for intraethnic and interethnic alliances for social and political change, displacing heteronormative national and familial tropes of affiliation common to melodrama and romance. “Cultures of Migration” develops a translocal method of reading to recover the ideological and genre innovations of early U.S. Latina/o print culture, from which I argue that early Latina/o fiction portrays intraethnic and interracial political formations that are less historical outcomes than daily acts of affective recalibration, solidarity and collaboration. 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