{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/24377"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/24377","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"From the ball fields to Broadway: Performative identities of professional baseball players on the nineteenth and twentieth century American stage","abstract":"Made available in DSpace on 2011-05-25T14:36:22Z (GMT). No. of bitstreams: 3 Stern_Travis.pdf: 868131 bytes, checksum: ca2cb595d5dd68fdf2a5e1cb6c93c5d1 (MD5) license.txt: 4062 bytes, checksum: 8b1c4c33891061b29d4f0ea31fbf5d7b (MD5) Stern_Travis.doc: 455680 bytes, checksum: 55a50bc2e28904ef409ab888fd323fc1 (MD5)","abstract_html":"Made available in DSpace on 2011-05-25T14:36:22Z (GMT). No. of bitstreams: 3 Stern_Travis.pdf: 868131 bytes, checksum: ca2cb595d5dd68fdf2a5e1cb6c93c5d1 (MD5) license.txt: 4062 bytes, checksum: 8b1c4c33891061b29d4f0ea31fbf5d7b (MD5) Stern_Travis.doc: 455680 bytes, checksum: 55a50bc2e28904ef409ab888fd323fc1 (MD5)","abstract_has_math":false,"creators":["Stern, Travis W."],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"Theatre","degree_department":null,"school":null,"contributors":["Kim Lee, Esther","Burgos, Adrian","Davis, Peter A.","Hohman, Valleri J."],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2011,"date_issued":"2011-05-25T14:36:22Z","date_published":"2011-05-25T14:36:22Z","updated_at":"2026-07-22T22:25:23Z","subjects":["American Theatre - Nineteenth Century","American Theatre - Twentieth Century","Baseball","Baseball Players - Nineteenth Century","American Theatre","Baseball Players - Twentieth Century","Adrian C. Anson","Michael J. Kelly","Christy Mathewson","Tyrus R. Cobb"],"languages":["en"],"rights":["Copyright 2011 Travis W. Stern"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/2142/24377","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Kim Lee, Esther","Burgos, Adrian","Davis, Peter A.","Hohman, Valleri J."]},{"key":"dc:creator","label":"Author","values":["Stern, Travis W."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2011-05-25T14:36:22Z","2013-05-26T10:00:23Z","2011-05"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Theatre"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["American Theatre - Nineteenth Century","American Theatre - Twentieth Century","Baseball","Baseball Players - Nineteenth Century","American Theatre","Baseball Players - Twentieth Century","Adrian C. Anson","Michael J. Kelly","Christy Mathewson","Tyrus R. Cobb"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2011 Travis W. Stern"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/24377"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Made available in DSpace on 2011-05-25T14:36:22Z (GMT). No. of bitstreams: 3 Stern_Travis.pdf: 868131 bytes, checksum: ca2cb595d5dd68fdf2a5e1cb6c93c5d1 (MD5) license.txt: 4062 bytes, checksum: 8b1c4c33891061b29d4f0ea31fbf5d7b (MD5) Stern_Travis.doc: 455680 bytes, checksum: 55a50bc2e28904ef409ab888fd323fc1 (MD5)","Item marked as restricted to the 'UIUC Users [automated]' Group (id=2) by William Ingram (wingram2@illinois.edu) on 2011-05-25T14:41:43Z Item is restricted until 2013-05-25T14:41:28Z","Item reinstated by Sarah Shreeves (sshreeve@illinois.edu) on 2013-05-26T10:00:23Z Item was in collections: University of Illinois Dissertations and Theses (ID: 204) Dissertations and Theses - Theatre (ID: 744) No. of bitstreams: 4 Stern_Travis.pdf.txt: 380794 bytes, checksum: daab701e455a3d67e7360819b0276e5c (MD5) Stern_Travis.pdf: 868131 bytes, checksum: ca2cb595d5dd68fdf2a5e1cb6c93c5d1 (MD5) license.txt: 4062 bytes, checksum: 8b1c4c33891061b29d4f0ea31fbf5d7b (MD5) Stern_Travis.doc: 455680 bytes, checksum: 55a50bc2e28904ef409ab888fd323fc1 (MD5)","Item released from any restrictions by Sarah Shreeves (sshreeve@illinois.edu) on 2013-05-26T10:00:23Z","This study examines the theatrical careers of four professional baseball players who appeared in multi-act plays on the American stage in the decades surrounding the turn of the twentieth century – Adrian “Cap” Anson, Mike “King” Kelly, Christy Mathewson, and Ty Cobb. As a player reached a level of celebrity in the game of baseball, theatrical producers were able to transfer the persona the player had built on the field onto the stage. The formation of each player’s persona is analyzed as well as how the persona was transferred to the stage and interacted with the changing nature of American identity. Anson’s appearance as a fictionalized version of himself in 1895 illustrated how baseball was attempting to appeal to a more respectable audience. Kelly’s performances based on his wealth and success from the game in the 1880s and 1890s transcended his image as solely a baseball player. A play co-authored by Mathewson in 1913 examined the real-life issue of club ownership by a woman in a melodramatic setting that uses Mathewson’s own persona to help model how baseball could deal with such a concern. Cobb’s 1911 performance in the lead role in a popular stage play was complicated by the villainous persona he had acquired through his playing.","Item withdrawn by Mark Zulauf (zulauf@illinois.edu) on 2011-04-19T14:34:03Z Item was in collections: University of Illinois Theses & Dissertations (ID: 1) No. of bitstreams: 2 Stern_Travis.doc: 455680 bytes, checksum: 55a50bc2e28904ef409ab888fd323fc1 (MD5) Stern_Travis.pdf: 868131 bytes, checksum: ca2cb595d5dd68fdf2a5e1cb6c93c5d1 (MD5)"]},{"key":"dc:title","label":"Title","values":["From the ball fields to Broadway: Performative identities of professional baseball players on the nineteenth and twentieth century American stage"]}]}],"canonical_facts":{"dc:contributor":["Kim Lee, Esther","Burgos, Adrian","Davis, Peter A.","Hohman, Valleri J."],"dc:creator":["Stern, Travis W."],"dc:date":["2011-05-25T14:36:22Z","2013-05-26T10:00:23Z","2011-05"],"dc:description":["Made available in DSpace on 2011-05-25T14:36:22Z (GMT). No. of bitstreams: 3 Stern_Travis.pdf: 868131 bytes, checksum: ca2cb595d5dd68fdf2a5e1cb6c93c5d1 (MD5) license.txt: 4062 bytes, checksum: 8b1c4c33891061b29d4f0ea31fbf5d7b (MD5) Stern_Travis.doc: 455680 bytes, checksum: 55a50bc2e28904ef409ab888fd323fc1 (MD5)","Item marked as restricted to the 'UIUC Users [automated]' Group (id=2) by William Ingram (wingram2@illinois.edu) on 2011-05-25T14:41:43Z Item is restricted until 2013-05-25T14:41:28Z","Item reinstated by Sarah Shreeves (sshreeve@illinois.edu) on 2013-05-26T10:00:23Z Item was in collections: University of Illinois Dissertations and Theses (ID: 204) Dissertations and Theses - Theatre (ID: 744) No. of bitstreams: 4 Stern_Travis.pdf.txt: 380794 bytes, checksum: daab701e455a3d67e7360819b0276e5c (MD5) Stern_Travis.pdf: 868131 bytes, checksum: ca2cb595d5dd68fdf2a5e1cb6c93c5d1 (MD5) license.txt: 4062 bytes, checksum: 8b1c4c33891061b29d4f0ea31fbf5d7b (MD5) Stern_Travis.doc: 455680 bytes, checksum: 55a50bc2e28904ef409ab888fd323fc1 (MD5)","Item released from any restrictions by Sarah Shreeves (sshreeve@illinois.edu) on 2013-05-26T10:00:23Z","This study examines the theatrical careers of four professional baseball players who appeared in multi-act plays on the American stage in the decades surrounding the turn of the twentieth century – Adrian “Cap” Anson, Mike “King” Kelly, Christy Mathewson, and Ty Cobb. As a player reached a level of celebrity in the game of baseball, theatrical producers were able to transfer the persona the player had built on the field onto the stage. The formation of each player’s persona is analyzed as well as how the persona was transferred to the stage and interacted with the changing nature of American identity. Anson’s appearance as a fictionalized version of himself in 1895 illustrated how baseball was attempting to appeal to a more respectable audience. Kelly’s performances based on his wealth and success from the game in the 1880s and 1890s transcended his image as solely a baseball player. A play co-authored by Mathewson in 1913 examined the real-life issue of club ownership by a woman in a melodramatic setting that uses Mathewson’s own persona to help model how baseball could deal with such a concern. Cobb’s 1911 performance in the lead role in a popular stage play was complicated by the villainous persona he had acquired through his playing.","Item withdrawn by Mark Zulauf (zulauf@illinois.edu) on 2011-04-19T14:34:03Z Item was in collections: University of Illinois Theses & Dissertations (ID: 1) No. of bitstreams: 2 Stern_Travis.doc: 455680 bytes, checksum: 55a50bc2e28904ef409ab888fd323fc1 (MD5) Stern_Travis.pdf: 868131 bytes, checksum: ca2cb595d5dd68fdf2a5e1cb6c93c5d1 (MD5)"],"dc:identifier":["http://hdl.handle.net/2142/24377"],"dc:language":["en"],"dc:rights":["Copyright 2011 Travis W. Stern"],"dc:subject":["American Theatre - Nineteenth Century","American Theatre - Twentieth Century","Baseball","Baseball Players - Nineteenth Century","American Theatre","Baseball Players - Twentieth Century","Adrian C. Anson","Michael J. Kelly","Christy Mathewson","Tyrus R. Cobb"],"dc:title":["From the ball fields to Broadway: Performative identities of professional baseball players on the nineteenth and twentieth century American stage"],"thesis:degree_discipline":["Theatre"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["Ph.D."],"thesis:institution_name":["University of Illinois at Urbana-Champaign"]},"updated_at":"2026-07-22T22:25:23Z"}