{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/23720"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/23720","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"William Maxwell: A selected critical biography","abstract":"This authorized critical biography provides the first book-length scholarship on William Maxwell's sixty-year career as a fiction writer, and reveals his literary life through research including his personal correspondence and interviews conducted specifically for this project. The study--which focuses on the novels They Came Like Swallows (1937), The Folded Leaf (1945), The Chateau (1961), and So Long, See You Tomorrow (1980)--examines how Maxwell's career reflects the course of American writing as it has evolved in this century. The author's body of writing represents a natural progression from the traditional novel to the postmodern, from lyricism to minimalism, and suggests significant development in his depiction of the self in autobiographical fiction. At the end of Maxwell's career, the parallel explorations of narrative craft and self-representation merge in So Long, See You Tomorrow, an autobiographical metafiction.","abstract_html":"This authorized critical biography provides the first book-length scholarship on William Maxwell's sixty-year career as a fiction writer, and reveals his literary life through research including his personal correspondence and interviews conducted specifically for this project. The study--which focuses on the novels They Came Like Swallows (1937), The Folded Leaf (1945), The Chateau (1961), and So Long, See You Tomorrow (1980)--examines how Maxwell's career reflects the course of American writing as it has evolved in this century. The author's body of writing represents a natural progression from the traditional novel to the postmodern, from lyricism to minimalism, and suggests significant development in his depiction of the self in autobiographical fiction. 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