{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/23402"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/23402","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Colonial and post-colonial discourse in the novels of Yom Sang-sop, Chinua Achebe and Salman Rushdie","abstract":"This dissertation examines colonial and post-colonial discourse in the works of Yom Sang-sop of Korea, of Chinua Achebe of Nigeria and of Salman Rushdie of Indian subcontinent. Since much of the critical attention on colonial discourse has been focused on western narratives, this study aims to shed a different light on the subject by approaching it from the perspectives of the colonized.","abstract_html":"This dissertation examines colonial and post-colonial discourse in the works of Yom Sang-sop of Korea, of Chinua Achebe of Nigeria and of Salman Rushdie of Indian subcontinent. Since much of the critical attention on colonial discourse has been focused on western narratives, this study aims to shed a different light on the subject by approaching it from the perspectives of the colonized.","abstract_has_math":false,"creators":["Kim, Soonsik Baek"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"Comparative and World Literature","degree_department":null,"school":null,"contributors":["Haboush, JaHyun Kim","Palencia-Roth, Michael"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2011,"date_issued":"2011-05-07T14:12:54Z","date_published":"2011-05-07T14:12:54Z","updated_at":"2026-07-22T22:25:21Z","subjects":["Literature, Comparative","Literature, Asian","Literature, English"],"languages":["eng"],"rights":["Copyright 1992 Kim, Soonsik Baek"],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["AAI9215841","(UMI)AAI9215841"],"render_values":[{"text":"AAI9215841","href":null,"code":true},{"text":"(UMI)AAI9215841","href":null,"code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/2142/23402","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Haboush, JaHyun Kim","Palencia-Roth, Michael"]},{"key":"dc:creator","label":"Author","values":["Kim, Soonsik Baek"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2011-05-07T14:12:54Z","10000-01-01","1992"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Comparative and World Literature"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Literature, Comparative","Literature, Asian","Literature, English"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 1992 Kim, Soonsik Baek"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["AAI9215841","(UMI)AAI9215841","http://hdl.handle.net/2142/23402"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["This dissertation examines colonial and post-colonial discourse in the works of Yom Sang-sop of Korea, of Chinua Achebe of Nigeria and of Salman Rushdie of Indian subcontinent. Since much of the critical attention on colonial discourse has been focused on western narratives, this study aims to shed a different light on the subject by approaching it from the perspectives of the colonized.","The Introduction explains the term colonial discourse and provides theoretical, historical and cultural background to the three writers' worlds. Thus it aims to see the changes in colonial and post-colonial discourse along with these writers' responses to the representation of the Third World in western discourse.","Chapter One explores the world of a Korean writer, Yom Sang-sop, in terms of colonial discourse by discussing his works written in the 1920s and early 1930s. These works (Mansejon, Samdae and other short stories) reflect contemporary Korean intellectuals' psychological topography as well as sociopolitical circumstances under Japanese Colonial Occupation.","Chapter Two discusses Chinua Achebe. His works, though written in English, are widely considered as archetypes of modern African literary discourse due to his ingenious blending of African oral traditions with his English-language narrative in a western literary form. In the analysis of Things Fall Apart, No longer at Ease and Arrow of God, I focus on how Achebe presents the disintegration of traditional Igbo life as a consequence of European colonialism in Africa.","Chapter Three presents the Indo-Pakistani experiences of post-colonial turmoil captured by Salman Rushdie. His Midnight's Children and Shame can be considered as sociopolitical satires about India and Pakistan after their independences as well as aesthetic experimental quests for achieving unity in form and content. Brief attention is also paid to his controversial The Satanic Verses. Rushdian visions are also filled with Indian elements and post-colonial western skepticism.","\"In Conclusion, I mention the significance of these three writers' works as anti-colonial discourse. In the post-colonial era, the voices of the (formerly) colonized are \"\"striking back\"\" at powerful colonial discourses.\"","Made available in DSpace on 2011-05-07T14:12:54Z (GMT). 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Since much of the critical attention on colonial discourse has been focused on western narratives, this study aims to shed a different light on the subject by approaching it from the perspectives of the colonized.","The Introduction explains the term colonial discourse and provides theoretical, historical and cultural background to the three writers' worlds. Thus it aims to see the changes in colonial and post-colonial discourse along with these writers' responses to the representation of the Third World in western discourse.","Chapter One explores the world of a Korean writer, Yom Sang-sop, in terms of colonial discourse by discussing his works written in the 1920s and early 1930s. These works (Mansejon, Samdae and other short stories) reflect contemporary Korean intellectuals' psychological topography as well as sociopolitical circumstances under Japanese Colonial Occupation.","Chapter Two discusses Chinua Achebe. His works, though written in English, are widely considered as archetypes of modern African literary discourse due to his ingenious blending of African oral traditions with his English-language narrative in a western literary form. In the analysis of Things Fall Apart, No longer at Ease and Arrow of God, I focus on how Achebe presents the disintegration of traditional Igbo life as a consequence of European colonialism in Africa.","Chapter Three presents the Indo-Pakistani experiences of post-colonial turmoil captured by Salman Rushdie. His Midnight's Children and Shame can be considered as sociopolitical satires about India and Pakistan after their independences as well as aesthetic experimental quests for achieving unity in form and content. Brief attention is also paid to his controversial The Satanic Verses. Rushdian visions are also filled with Indian elements and post-colonial western skepticism.","\"In Conclusion, I mention the significance of these three writers' works as anti-colonial discourse. In the post-colonial era, the voices of the (formerly) colonized are \"\"striking back\"\" at powerful colonial discourses.\"","Made available in DSpace on 2011-05-07T14:12:54Z (GMT). No. of bitstreams: 2 license.txt: 4922 bytes, checksum: 910b249b4beec47e7ab768910c8f966f (MD5) 9215841.pdf: 13686426 bytes, checksum: d38bd19998b455f4bc336635389ba88a (MD5) Previous issue date: 1992","Item marked as restricted to the 'UIUC Users [automated]' Group (id=2) by Howard Ding (hding2@illinois.edu) on 2011-05-07T15:04:14Z Item is restricted indefinitely.","Restriction data tranferred 2014-07-01T11:30:40-05:00 Original Data Group with Access UIUC Users [automated] Release Date: none Reason: ETDs are only available to UIUC Users without author permission","ETDs are only available to UIUC Users without author permission","U of I Only"],"dc:identifier":["AAI9215841","(UMI)AAI9215841","http://hdl.handle.net/2142/23402"],"dc:language":["eng"],"dc:rights":["Copyright 1992 Kim, Soonsik Baek"],"dc:subject":["Literature, Comparative","Literature, Asian","Literature, English"],"dc:title":["Colonial and post-colonial discourse in the novels of Yom Sang-sop, Chinua Achebe and Salman Rushdie"],"dc:type":["text"],"thesis:degree_discipline":["Comparative and World Literature"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["Ph.D."],"thesis:institution_name":["University of Illinois at Urbana-Champaign"]},"updated_at":"2026-07-22T22:25:21Z"}