{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/22820"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/22820","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"\"\"\"Winged, but grounded\"\": A contextual study of the fiction of Toni Morrison and Gayl Jones\"","abstract":"Made available in DSpace on 2011-05-07T13:52:34Z (GMT). No. of bitstreams: 2 license.txt: 4922 bytes, checksum: 910b249b4beec47e7ab768910c8f966f (MD5) 9010848.pdf: 10368006 bytes, checksum: 71ca5e5807c73da30043a51f8987cbcf (MD5) Previous issue date: 1989","abstract_html":"Made available in DSpace on 2011-05-07T13:52:34Z (GMT). No. of bitstreams: 2 license.txt: 4922 bytes, checksum: 910b249b4beec47e7ab768910c8f966f (MD5) 9010848.pdf: 10368006 bytes, checksum: 71ca5e5807c73da30043a51f8987cbcf (MD5) Previous issue date: 1989","abstract_has_math":false,"creators":["Dubey, Madhu"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"English","degree_department":null,"school":null,"contributors":["Deck, Alice"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2011,"date_issued":"2011-05-07T13:52:34Z","date_published":"2011-05-07T13:52:34Z","updated_at":"2026-07-22T22:25:20Z","subjects":["Black Studies","Women's Studies","Literature, American"],"languages":["eng"],"rights":["Copyright 1989 Dubey, Madhu"],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["AAI9010848","(UMI)AAI9010848"],"render_values":[{"text":"AAI9010848","href":null,"code":true},{"text":"(UMI)AAI9010848","href":null,"code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/2142/22820","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Deck, Alice"]},{"key":"dc:creator","label":"Author","values":["Dubey, Madhu"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2011-05-07T13:52:34Z","10000-01-01","1989"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Black Studies","Women's Studies","Literature, American"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 1989 Dubey, Madhu"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["AAI9010848","(UMI)AAI9010848","http://hdl.handle.net/2142/22820"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Made available in DSpace on 2011-05-07T13:52:34Z (GMT). No. of bitstreams: 2 license.txt: 4922 bytes, checksum: 910b249b4beec47e7ab768910c8f966f (MD5) 9010848.pdf: 10368006 bytes, checksum: 71ca5e5807c73da30043a51f8987cbcf (MD5) Previous issue date: 1989","This dissertation examines the novels published by Toni Morrison and Gayl Jones in the 1970's, with a specific focus on their complex formal exchange with the Black nationalist ideology that largely shaped the contemporary Black cultural context.","My introduction situates my theoretical approach within and against the major strains of recent Black feminist criticism. My work seeks to develop and refine the Black feminist theorization of the relation between Black women's fictional texts and their ideological contexts. My first chapter presents a Black feminist account of the masculine centering of Black nationalist ideology, arguing that the concomitant marginalization of the Black woman troubles her relation to the three central oppositions--between individual and community, past and present, and absent and present subjectivity--that structure this ideology.","The fictional mediation of these ideological oppositions concerns my next four chapters, which discuss Morrison's The Bluest Eye (1970) and Sula (1973), and Jones' Corregidora (1975) and Eva's (1976). In addition to thematically exploring a black femininity that exceeds the parameters of Black nationalist ideology, these novels exhibit a complex formal negotiation with the three central oppositions of Black nationalist ideology. My discussion concentrates on the narrative strategies common to all these novels, such as the structural tension between cyclic and linear time, the unsettling of realistic modes of characterization, and the use of oral narrative models. These and other formal strategies produce a distinctive vision of subjectivity, community and historical change, a vision at once bounded by and straining against the limits of Black nationalist ideology.","\"My Conclusion, which selectively examines the fiction published by other Black women in the 1970's, attempts to situate the work of Morrison and Jones within a wider set of diverse but inter-related fictional practices, and, more importantly, to guard against a facile construction of the 1970's as a static, unified \"\"period\"\" in the history of Black women's fiction.\"","My work rests on the conviction that only a simultaneously historical and formal criticism can challenge the dichotomy, between form and ideology, that authorizes the formation of the dominant American literary tradition, and that excludes the works of Black women novelists from this tradition.","Item marked as restricted to the 'UIUC Users [automated]' Group (id=2) by Howard Ding (hding2@illinois.edu) on 2011-05-07T15:00:13Z Item is restricted indefinitely.","Restriction data tranferred 2014-07-01T11:28:28-05:00 Original Data Group with Access UIUC Users [automated] Release Date: none Reason: ETDs are only available to UIUC Users without author permission","ETDs are only available to UIUC Users without author permission","U of I Only"]},{"key":"dc:title","label":"Title","values":["\"\"\"Winged, but grounded\"\": A contextual study of the fiction of Toni Morrison and Gayl Jones\""]}]}],"canonical_facts":{"dc:contributor":["Deck, Alice"],"dc:creator":["Dubey, Madhu"],"dc:date":["2011-05-07T13:52:34Z","10000-01-01","1989"],"dc:description":["Made available in DSpace on 2011-05-07T13:52:34Z (GMT). No. of bitstreams: 2 license.txt: 4922 bytes, checksum: 910b249b4beec47e7ab768910c8f966f (MD5) 9010848.pdf: 10368006 bytes, checksum: 71ca5e5807c73da30043a51f8987cbcf (MD5) Previous issue date: 1989","This dissertation examines the novels published by Toni Morrison and Gayl Jones in the 1970's, with a specific focus on their complex formal exchange with the Black nationalist ideology that largely shaped the contemporary Black cultural context.","My introduction situates my theoretical approach within and against the major strains of recent Black feminist criticism. My work seeks to develop and refine the Black feminist theorization of the relation between Black women's fictional texts and their ideological contexts. My first chapter presents a Black feminist account of the masculine centering of Black nationalist ideology, arguing that the concomitant marginalization of the Black woman troubles her relation to the three central oppositions--between individual and community, past and present, and absent and present subjectivity--that structure this ideology.","The fictional mediation of these ideological oppositions concerns my next four chapters, which discuss Morrison's The Bluest Eye (1970) and Sula (1973), and Jones' Corregidora (1975) and Eva's (1976). In addition to thematically exploring a black femininity that exceeds the parameters of Black nationalist ideology, these novels exhibit a complex formal negotiation with the three central oppositions of Black nationalist ideology. My discussion concentrates on the narrative strategies common to all these novels, such as the structural tension between cyclic and linear time, the unsettling of realistic modes of characterization, and the use of oral narrative models. These and other formal strategies produce a distinctive vision of subjectivity, community and historical change, a vision at once bounded by and straining against the limits of Black nationalist ideology.","\"My Conclusion, which selectively examines the fiction published by other Black women in the 1970's, attempts to situate the work of Morrison and Jones within a wider set of diverse but inter-related fictional practices, and, more importantly, to guard against a facile construction of the 1970's as a static, unified \"\"period\"\" in the history of Black women's fiction.\"","My work rests on the conviction that only a simultaneously historical and formal criticism can challenge the dichotomy, between form and ideology, that authorizes the formation of the dominant American literary tradition, and that excludes the works of Black women novelists from this tradition.","Item marked as restricted to the 'UIUC Users [automated]' Group (id=2) by Howard Ding (hding2@illinois.edu) on 2011-05-07T15:00:13Z Item is restricted indefinitely.","Restriction data tranferred 2014-07-01T11:28:28-05:00 Original Data Group with Access UIUC Users [automated] Release Date: none Reason: ETDs are only available to UIUC Users without author permission","ETDs are only available to UIUC Users without author permission","U of I Only"],"dc:identifier":["AAI9010848","(UMI)AAI9010848","http://hdl.handle.net/2142/22820"],"dc:language":["eng"],"dc:rights":["Copyright 1989 Dubey, Madhu"],"dc:subject":["Black Studies","Women's Studies","Literature, American"],"dc:title":["\"\"\"Winged, but grounded\"\": A contextual study of the fiction of Toni Morrison and Gayl Jones\""],"dc:type":["text"],"thesis:degree_discipline":["English"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["Ph.D."],"thesis:institution_name":["University of Illinois at Urbana-Champaign"]},"updated_at":"2026-07-22T22:25:20Z"}