{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/22578"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/22578","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Daria Semegen: Her life, work, and music","abstract":"Studies of women's achievements in western musical history have expanded considerably in the past twenty years. Little research and writing, however, has concentrated on the extensive and specific study of a selected woman composer including the discussion and analysis of her works. Most notably, currently active women composers of the post-World War II modern musical era have been neglected.","abstract_html":"Studies of women's achievements in western musical history have expanded considerably in the past twenty years. Little research and writing, however, has concentrated on the extensive and specific study of a selected woman composer including the discussion and analysis of her works. Most notably, currently active women composers of the post-World War II modern musical era have been neglected.","abstract_has_math":false,"creators":["Hinkle-Turner, Anna Elizabeth"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"D.M.A.","degree_level":"Dissertation","degree_discipline":"Music","degree_department":null,"school":null,"contributors":["Von Gunden, Heidi"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2011,"date_issued":"2011-05-07T13:44:24Z","date_published":"2011-05-07T13:44:24Z","updated_at":"2026-07-22T22:25:20Z","subjects":["Biography","Music","Women's Studies"],"languages":["eng"],"rights":["Copyright 1991 Hinkle-Turner, Anna Elizabeth"],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["AAI9210837","(UMI)AAI9210837"],"render_values":[{"text":"AAI9210837","href":null,"code":true},{"text":"(UMI)AAI9210837","href":null,"code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/2142/22578","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Von Gunden, Heidi"]},{"key":"dc:creator","label":"Author","values":["Hinkle-Turner, Anna Elizabeth"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2011-05-07T13:44:24Z","10000-01-01","1991"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Music"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["D.M.A."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Biography","Music","Women's Studies"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 1991 Hinkle-Turner, Anna Elizabeth"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["AAI9210837","(UMI)AAI9210837","http://hdl.handle.net/2142/22578"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Studies of women's achievements in western musical history have expanded considerably in the past twenty years. Little research and writing, however, has concentrated on the extensive and specific study of a selected woman composer including the discussion and analysis of her works. Most notably, currently active women composers of the post-World War II modern musical era have been neglected.","My work on Daria Semegen, director of the electronic music studios at the State University of New York at Stony Brook, is designed to contribute significantly to the growing amounts of analytical surveys of music by women and to serve as a model for future research by myself and other scholars. The thesis is divided into five chapters, the first four discussing Semegen's life, early education and composition, electronic works and dance collaborations, and recent instrumental pieces. The fifth chapter addresses issues that are unique to Semegen's experiences as a woman composer and her teaching philosophy and musical aesthetic. Materials in the thesis include analytical discussions of sixteen instrumental pieces and four electronic works. Study with Semegen as well as the contents of numerous phone interviews with the composer and her colleagues contribute greatly to the research.","Made available in DSpace on 2011-05-07T13:44:24Z (GMT). No. of bitstreams: 2 license.txt: 4922 bytes, checksum: 910b249b4beec47e7ab768910c8f966f (MD5) 9210837.pdf: 7497243 bytes, checksum: b4fbbcaf17ebc07a0e708a4c82efaeaa (MD5) Previous issue date: 1991","Item marked as restricted to the 'UIUC Users [automated]' Group (id=2) by Howard Ding (hding2@illinois.edu) on 2011-05-07T14:58:34Z Item is restricted indefinitely.","Restriction data tranferred 2014-07-01T11:27:33-05:00 Original Data Group with Access UIUC Users [automated] Release Date: none Reason: ETDs are only available to UIUC Users without author permission","ETDs are only available to UIUC Users without author permission","U of I Only"]},{"key":"dc:title","label":"Title","values":["Daria Semegen: Her life, work, and music"]}]}],"canonical_facts":{"dc:contributor":["Von Gunden, Heidi"],"dc:creator":["Hinkle-Turner, Anna Elizabeth"],"dc:date":["2011-05-07T13:44:24Z","10000-01-01","1991"],"dc:description":["Studies of women's achievements in western musical history have expanded considerably in the past twenty years. Little research and writing, however, has concentrated on the extensive and specific study of a selected woman composer including the discussion and analysis of her works. Most notably, currently active women composers of the post-World War II modern musical era have been neglected.","My work on Daria Semegen, director of the electronic music studios at the State University of New York at Stony Brook, is designed to contribute significantly to the growing amounts of analytical surveys of music by women and to serve as a model for future research by myself and other scholars. The thesis is divided into five chapters, the first four discussing Semegen's life, early education and composition, electronic works and dance collaborations, and recent instrumental pieces. The fifth chapter addresses issues that are unique to Semegen's experiences as a woman composer and her teaching philosophy and musical aesthetic. Materials in the thesis include analytical discussions of sixteen instrumental pieces and four electronic works. Study with Semegen as well as the contents of numerous phone interviews with the composer and her colleagues contribute greatly to the research.","Made available in DSpace on 2011-05-07T13:44:24Z (GMT). No. of bitstreams: 2 license.txt: 4922 bytes, checksum: 910b249b4beec47e7ab768910c8f966f (MD5) 9210837.pdf: 7497243 bytes, checksum: b4fbbcaf17ebc07a0e708a4c82efaeaa (MD5) Previous issue date: 1991","Item marked as restricted to the 'UIUC Users [automated]' Group (id=2) by Howard Ding (hding2@illinois.edu) on 2011-05-07T14:58:34Z Item is restricted indefinitely.","Restriction data tranferred 2014-07-01T11:27:33-05:00 Original Data Group with Access UIUC Users [automated] Release Date: none Reason: ETDs are only available to UIUC Users without author permission","ETDs are only available to UIUC Users without author permission","U of I Only"],"dc:identifier":["AAI9210837","(UMI)AAI9210837","http://hdl.handle.net/2142/22578"],"dc:language":["eng"],"dc:rights":["Copyright 1991 Hinkle-Turner, Anna Elizabeth"],"dc:subject":["Biography","Music","Women's Studies"],"dc:title":["Daria Semegen: Her life, work, and music"],"dc:type":["text"],"thesis:degree_discipline":["Music"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["D.M.A."],"thesis:institution_name":["University of Illinois at Urbana-Champaign"]},"updated_at":"2026-07-22T22:25:20Z"}