{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/22229"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/22229","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Chicago's Goodman Theatre: Plays and cultural work in an institutional theater","abstract":"During the cultural war of the 1990s, a major institutional theater presented socially-serious art which represented multiple positions on important topics while striving for artistic excellence. 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This meant that these theaters engaged with controversial issues but avoided clear positions to maintain their community, and represented differing positions of their diverse audience members. The resulting plays and performance texts were structurally parodic, or double- or multicoded.\"","Made available in DSpace on 2011-05-07T13:33:12Z (GMT). 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This meant that these theaters engaged with controversial issues but avoided clear positions to maintain their community, and represented differing positions of their diverse audience members. The resulting plays and performance texts were structurally parodic, or double- or multicoded.\"","Made available in DSpace on 2011-05-07T13:33:12Z (GMT). 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