After Uncle Tom: The domestic dialogue on slavery and race, 1852--1859
type: CreativeWork
description: This study contributes to the reevaluation of sentimentalism, specifically examining the ways in which different authors appropriated sentimentalism to argue about slavery and race. It considers Mary Eastman's Aunt Phillis's Cabin (1852), Harriet Beecher Stowe's Key to Uncle Tom's Cabin (1853), Caroline Lee Hentz's The Planter's Northern Bride (1854), Frederick Douglass' My Bondage and My Freedom (1855), Stowe's Dred (1856), and Harriet Wilson's Our Nig (1859) as answers to Stowe's Uncle Tom's Cabin (1852) and the popular phenomena it inspired and illustrates a complex set of intersections between sentimentalism and the debate over slavery and race.
abstract: This study contributes to the reevaluation of sentimentalism, specifically examining the ways in which different authors appropriated sentimentalism to argue about slavery and race. It considers Mary Eastman's Aunt Phillis's Cabin (1852), Harriet Beecher Stowe's Key to Uncle Tom's Cabin (1853), Caroline Lee Hentz's The Planter's Northern Bride (1854), Frederick Douglass' My Bondage and My Freedom (1855), Stowe's Dred (1856), and Harriet Wilson's Our Nig (1859) as answers to Stowe's Uncle Tom's Cabin (1852) and the popular phenomena it inspired and illustrates a complex set of intersections between sentimentalism and the debate over slavery and race.
author: Gardner, Eric Scott
language: eng
keywords: American Studies, History, Black, Literature, American
date published: 2011-05-07T13:28:25Z
date modified: 2026-07-22T22:25:19Z
provider: University of Illinois - Urbana-Champaign
publisher: Networked Digital Library of Theses and Dissertations
type: WebPage
source organization: University of Illinois at Urbana-Champaign

PropertyValue
property ID: Handle
value: http://hdl.handle.net/2142/22083